When I first saw Venom, I had no idea that someday I'd be mocking it, and movies like it. But now that I'm doing this blog, I figured it was time to revisit the movie in all of its underwhelming mediocrity. Remember, I'm watching while writing, so SPOILERS will be plentiful...
Not a good sign...the DVD has 6 minutes' worth of ads to sit through. Yeesh. Remember when the trailers were optional? No? Well I do.
So anyway, this thing takes place in Louisiana. The opening scene shows an elderly black woman digging around in a graveyard. She unearths a tiny box, presumably holding the remains of Billy Barty.(See, he was a comedian who happened to be a little person, so the small box would....ahhh, never mind.) The box has a lock that is shaped like the head of a snake, and the woman has a vision about a murder when she touches it.
The woman lights a candle, then puts a red hankie over her head. While uttering some kind of chant, she also puts the snake-lock/pendant around her neck. Well, I'm glad THAT made perfect sense, because the scene comes to an abrupt halt at that point.
The next scene shows a diner right out of "Happy Days". 2 teen guys, Eric and Shawn, are sitting at a table drinking sodas, and one can't stop staring at a somewhat pretty waitress named Eden. As the starer asks what's wrong with their small town, some kid named Ricky joins them. As of yet, none of the dweebs have any memorable traits or personality. Great.
Shawn tries to convince Eric to give up on a reconciliation with his soulmate Eden, who has apparently given them both the stink eye. Or maybe that's just her usual face. Yikes. This movie already scares me, and nothing has happened yet.
A tow truck pulls in, driven by a greaseball named Ray. He and Shawn exchange a glance, then Ray picks up his order to go, and leaves. We return to crazy voodoo lady(I feel like I'm playing a Monkey Island video game!), who is dragging her luggage through the rain, presumably to a Motel 6. Nope, she dragged it to her car and put it in the back seat. My mistake.
Everything switches back to the diner, where a blond guy is checking out the rack of a girl named Tammy. Tammy sees Ray sitting stiff as a statue in his truck, and decides that it would be fun to show off her goods to the unstable-looking trucker. Ray doesn't look too Happy about being teased by jailbait.
After the diner closes for the night, Eden bids farewell to Rachel, another waitress, then rides a bicycle home. Crazy voodoo lady is also driving home, but apparently her home is in London, because where she is, there's a wall of fog. On one of her car seats is the suitcase full o' snakes. Back in the bayou country, Eden bikes past Ray's garage, and he just gives her his thousand-yard stare again.
Full moon in the sky, more biking, yadda yadda yadda. A car comes up behind Eden, but it's only Eric, giving her more of his sad-puppy face as he passes her. He stops his vehicle ahead of her to try to have a chat, but she keeps going for a few more feet before stopping. Great! Maybe now we can find out what interesting, spellbinding incident led to their break-up.
Eh. They're going to different colleges in the fall, and Eric can't get a grip. Been there, dude. Let her go. There are other fish in the sea, and most of them don't have wide, staring fish-eyes like this one.
As they continue to argue, Ray pulls up in his massive truck. He asks Eden if she's okay, then tells Eric that he shouldn't'[t park his car on the bridge, before he takes off in his Truckosaurus Wrecks. Not even 15 seconds later, Ray nearly collides with the voodoo lady's vehicle, which is left dangling precariously off the bridge halfway.
As the car teeters and totters, Eric sees that the voodoo lady, who is related to one of their friends named "CeCe", is still alive. Ray pushes Eric away from the car, and tells him to get ready to catch the old lady when Ray snatches her out of her seat.
Ray crawls slowly into the passenger side of the car, and Voodoo Granny wakes up. She begs Ray to get the snake-filled suitcase, but he rescues her first. As Eric and Eden try to calm the crazy woman down, Ray goes back in for the suitcase. Unfortunately, his attempt to grab it results in the baggage falling open, and Ray is attacked by a multitude of snakes. Oh, and the car falls into the water below the bridge. As the car starts to sink, the snakes REALLY go after Ray, and he starts to scream.
The state troopers show up, but they say that the car can't be hauled up until the water level lowers again. They recovered Ray's body, but he's a mess. Oh, and they have the suitcase, too, but of course, it's empty. Of the 2 troopers, only the older one knows that drawings inside the suitcase are part of some type of Creole magic.
Eric feels responsible for what happened, and Eden tries to make him feel better. Then the DVD died. The sound began stuttering first, then the image began to skip frames. I've spent most of the past week trying to watch the movie since, with no luck. So...THE END, at least for now.
What did I learn from Venom? HA! That's a good one...
-Netflix has some really shitty DVD's in their collection.
-It's not fun, wasting a week trying to get a movie to play.
-I need a better genre.
This week, I have a choice between a Val Kilmer movie called The Traveler, or a late-'80's slasher called Slaughterhouse. I hop;e one of them breaks me out of this rut!
Sunday, September 11, 2011
Sunday, September 4, 2011
Urban Legends: Final Cut
My last movie was a bland, forgettable film with some eye-candy and nothing else. This week's movie, the much-maligned second film in the Urban Legends franchise, HAS to better. It HAS to be. Right? Well, I guess we're about to find out, because here comes my SPOILER-heavy experience watching it.
The movie begins with a lot of thunder and lightning. Oh, and apparently, we're on a plane filled with partying college kids.. Cool. A young woman is nervously watching the rough weather, while a whiny-voiced nerd next to her is helpfully recreating the "gremlin on the plane's wing" moment from The Twilight Zone. Nice guy.
Another girl, who was in the slasher Valentine, goes off with her boyfriend to join The Mile High Club. Along the way, an elderly woman gives them the stink eye. Oh, and in the most awesome spoiled surprise ever, you can clearly see the message YOU'RE GOING DOWN written on the bathroom mirror, waaaay before you're supposed to. Nice.
Anyway, Nerd Boy sees a creepy male flight attendant staring at the rowdy students, and they make eye contact. That's when the Mile High Girl, whose boyfriend is, ummm, munching Down Under, finally sees the message on the wall. When she reads it out loud, her boyfriend happily agrees. Heh. She yanks her boyfriend's(Rob's) head up so that he can see the message, and they both quickly decide to get out of the bathroom as they feel the plane rapidly descending.
As they're still figuring out how to exit the toilet, the rest of the passengers get freaked out when breathing masks drop from the ceiling. Mile High Girl exits the restroom first, and sees all of the passengers slumped over. She assumes that they all just passed out, until the old lady she saw earlier slumps over in her seat, revealing a knife wedged in her back. Guess she's not sleeping.
The killer emerges with another bloodstained knife, and he and Mile High Girl face off for a moment or two. Fate intervenes, and the killer is knocked over by a runaway drink cart that comes sliding down the aisle. Rob finally emerges from the bathroom, and asks his girlfriend what's going on, then they both start running up the aisle.
In the small area the flight attendants use to prepare the snacks, they find Nerd Boy dead. The killer pops up again, so the couple decide to run to the front of the plane. Along the way, they discover a couple of female flight attendants strapped into their seats, brutally slaughtered. Ignoring reality, the couple easily slip into the cockpit and shut the door on the killer, locking it also.
The crew is dead as well. When the hell did this guy have time to commit all of these freakin' murders? As the killer attempts to bust open the door, Mile High Girl dumps the pilot out of his seat and decides to try to contact someone on the ground. She should just wait a second, she's heading right for them...
She puts on a headset, and just starts saying, "Mayday!" over and over again into the microphone. At the very same time, the killer gets in, so she screams even louder into the headset. Then a guy in sunglasses appears in the windshield, clinging to the rain-soaked glass. Mile High Girl shrieks, and he yells "Cut!"
Yeah. It was all just a movie set.
While the director continues screaming at the crew, the "rain" stops, and the plane stops shaking. Then he scolds the actress, Sandra, telling her that her character isn't supposed to be flying the plane. He also scolds a crew member named Vanessa(played by the lovely Eva Mendes), because she let a boom mike drop into one of the shots. As Vanessa commiserates with fellow crew member Amy , the director kisses up to the actor playing the killer, because he seems to have a stick up his ass. Oh, and Joey Lawrence is another crew member, "Graham", working with a scruffy guy referred to as "Scrote".
Using a megaphone, the director then threatens to kill Sandra if she doesn't do the scene right. He then has them set up to try another take. Hmmm. Is this an early hint about the killer? Probably not.
The heroine of our story, Amy, is next seen jogging. She's apparently the world's least-athletic runner, because the season changes from winter to spring in front of the campus as she's running toward the main building. As the movie resumes, the chairman of the film department is welcoming film students for the spring semester. See, I told you she ran slow! Thought I was kidding, didn't you?
Anyway, he delivers some grandiose, self-serving speech, then introduces a douchebag named Mr. Solomon to the students. The kids make fun of the staff as each teacher is introduced by Mr. Solomon, due to the fact that they're all a group of sad-sack has-beens. Then it's revealed that Amy is one of the small minority of film students who have yet to submit a "thesis film", a finished production that shows her skill as a film-maker put to the test. Heck, she hasn't even submitted an idea yet! She better hurry up, because at the end of each year, one lucky student wins a $15,000 prize known as The Hitchcock Award. The award more or less guarantees the recipient a future in Hollywood. From the rafters, Scrote is reading Solomon's speech into a microphone, and Solomon is repeating it word-for-word. Douche.
Um, it's winter again. WTF, man? Oh wait, Amy is walking across the campus...that explains it. By the time this movie ends, it could be decades later. Pray for my sanity, folks.
Amy gets frightened by a group of mother-flockin' birds that totally flock her up, then she gets a beam of light aimed right at her eyes. The light belongs to Reese, a member of the campus security staff. Reese! She was in the previous movie too, so I guess her character's presence is the connective tissue between both films. Awesome...I loved her goofy character in the first movie.
Okay, so Reese offers to give Amy a lift. She's probably seen how slow Amy walks. During the short drive across the campus, the women bond over a mutual love of Pam Grier movies. Then Reese suggests the events of the first UL film as Amy's thesis. Cute. She reveals that the murders at Pendleton were covered up, and she was fired for not agreeing to go along with the deception.
Amy enters the film library building, and walks into Solomon's office, where he is being slowly bored to death ny a lecture by one of the "legends" on the faculty. Amy gives Solomon her thesis, which is a slasher flick based on urban legends.Uhhhh....kind of "on the nose", isn't it?
Solomon likes it, but agrees with Amy's assessment that it needs to be given a definitive style. He suggests that it would work best as either a gore-heavy slasher flick, or as a more tension-filled psychological thriller, and she declares that it would have a bit of both. Solomon then compliments her on the idea, saying that it's "great". Wow, the writer sure had a healthy ego, huh?
That night, Travis(a hopeful director, as well as a friend of Amy) is on a date with a cute gal named Lisa. He orders drinks, and we see the killer spiking one of the drinks at the bar. Travis soon leaves, and Lisa unwittingly sips on the drink that was tampered with. She spurns the advances of a rather intense-looking stalker-type, and tries to leave, because she has a flight to take the next day. Of course, that's pretty much when the roofies kick in.
Lisa gets as far as the coat-check area, and then her eyes start to blur. Unable to properly see the number on her ticket, Lisa gropes around the coats--and that's when the killer leaps out of hiding and smothers her in a plastic sheet. Sounds dumb, I know, but it's a pretty decent jump-scare.
When Lisa wakes up, she's in a bathtub filled with ice. She sees a fresh-looking kidney in a dish next to a pair of bloody scissors, and finds a ragged, bleeding scar in her side. Lisa realizes that she's been made part of one of the most infamous urban legends ever told, and sees her abductor in another room, with his back to the frightened young woman.
Though she's really trying, Lisa can't quite make a quiet escape. She slips on the bloodstained floor, but still manages to shut the door and put a few obstacles in the way, to buy herself the time she needs to escape. Pretty smart thinking.
Or not. Lisa sees her purse on the floor, dumps the contents on the floor, and dials 911. While that also seems smart, she screws up big time by telling them about the kidney heist. The dispatcher informs her that he knows the urban legend, and hangs up. Lisa spies a window that could be a good escape route, but a dog outside convinces her to think otherwise.
She sees a different window, and decides to use that one for her exit. 2 things happen then: the killer gets into the bathroom, and the dog finds her hanging halfway out of the window. The killer reaches Lisa first, and tears open her surgical wound. She tries to hang onto some barbed wire, but that works out about as well as you'd figure it would. Making one last attempt to defend herself, Lisa tries to hit the killer with her hands, and breaks the glass in the window instead. The killer brings the jagged shards down on her neck, decapitating poor Lisa. As the dog contemplates how to eat a human head, the window opens one more time, and the killer lets the stray dog have her kidney too. Yum!
In the next scene, we go back to film school. Amy meets up with Sandra for lunch in the dining hall. There, she tells Sandra another urban legend, one I haven't heard before. Supposedly, before taking their finals, a group of students got together and had a midnight scream session, to alleviate tension.( Yeah, I'm sure the rest of the school appreciated that!) The story goes, that as the students screamed, the noise covered the sound of the screams of an actual murder victim.
As Amy reveals that the story is an urban legend, Sandra starts relating several stories involving bugs and other gross things found in food. Really? During lunch? Anyway, when Sandra asks for a role in the movie, Amy invites her to a late-night recording session for authentic-sounding screams. Gosh, I honestly have no idea what will happen next.
Amy is next seen walking past several recording/editing studios.The asswipe director from the great opening sequence is watching painful clips of Sandra trying to scream in a way that sounds terrified. She can't do it. In the next editing bay, Travis is watching a clip that sounds like a feminine hygiene ad. Behind Amy, someone walks into the corridor wearing the same snowjacket the killer from the first UL movie wore. Uh oh....is crazy Brenda back? Nope, it's just the 2 slackers who provided the "special effects" in the opening sequence.
Travis hears the commotion, and comes out to chat with Amy. When she asks how his film is coming along, Travis clams up a bit. Amy asks him to look at her script, and they make a date for Tuesday night. Fascinating. Considering that the only 2 films we've seen these students make so far are slasher movies, I'm betting that Travis isn't directing something based on a Jane Austen novel.
The the story switches gears to bring us to show us a hot-but-not-yet-famous Eva Mendes(Vanessa), and a not-famous-and-perhaps-never-will-be Joey Lawrence as Graham. Was Joey the one who always said "Whoa!" on that sitcom, or was that his brother Matthew? Wow, I sure do get easily distracted! Anyway, Vanessa is annoyed that Graham is always on his phone, so she brings up the urban legend that cell phones give you brain cancer. It turns out that they're at a storyboard/script meeting to discuss Amy's urban legend movie. Also there are Scrote(whose real name I'm still not sure about), Sandra, and the 2 effects/prop guys. Graham pompously tells Scrote to wash his car, and the poor guy does it.
Amy then shows the group another urban legend, involving a girl who has a fear of the dark. She sleeps with her dog in the room,and he licks her hand when she lets her arm hang off the side of the bed. The next morning, the woman finds her dog's corpse hanging on a shower rod, and a message written on the wall: HUMANS CAN LICK TOO.
As they continue to sit and chat, there's a pointless discussion over which is better, practical effects or digital effects, followed by a verbal attack on Amy by Toby, the student directing the airplane slasher seen at the start of the film. He thinks that she stole his genre, even though she tries to tell him how her film is different.
Back at one of the housing buildings, Amy finds Travis drunk and despondent. His film only earned a C minus, and Amy tells him that he deserved better. When he brings up the Hitchcock Award, Amy tells him that he's too talented to fail in Hollywood. Then, seeing Travis at his lowest, she asks him to help her find a new director of photography, since Toby abandoned the position 1 scene ago. He gives her a tip about a guy named Simon. Before she leaves, Amy tells Travis that everything will be okay. Yeah, right!
That evening, Amy is ready to shoot her first movie scene as a director. As she is greeted by a few cast and crew members, there's an accident on the set...Sandra is hit by a fallen light. Amy examines the wound on her scalp, then Sandra opens her eyes and says, "Gotcha!" Yeesh.
Amongst the giggling crew, Sandra tells Amy that Graham's father got her an audition for an episode of ER. Then they start setting up for the scene with the dead dog and the girl's hand getting licked by a killer. The dead dog prop is pretty realistic-looking, which just makes me wish even more that the movie scenes within the movie were an actual movie. How many times in 1 paragraph can I say "movie"? Movie. Movie, movie.
Anyway, an ominous man in black walks onto the set, just as they start filming. He introduces himself as Schorm, and says that Travis asked him to assist her with her film. Ah, okay, this is "Simon", the director of photography that Travis promised to get for Amy's horror movie. He then tries to seduce Vanessa, but it turns out that she's into women. Cool! So am I!
After that, the parking lot is deserted, but not for long. Sandra staggers outside, struggling to carry a dress and some other stuff to her car. Unfortunately, it appears that she may have locked herself out of the car.
Sandra trudges back to the set, and fumbles around for the interior lights. She finds herself on a set dressed up for a crime scene, complete with a strobing police light. As Sandra looks around for her keys, a shape under a red blanket begins moving. The killer eventually stands up, and attaches a microphone to a camera, which he then picks up to begin filming Sandra's murder.
Sandra is, of course, unable to see a tall figure dressed in a bright red blanket suddenly standing up. I know, I know, the killer's behind her...but wouldn't she still see or hear a sudden movement like that? Oh, and can we dispense with the whole "our victim looks in one direction long enough for the killer to move to a different position in the background" scene in every single frickin' horror movie too? That one never ceases to annoy me.
Anyway, the killer sneaks behind Sandra, and slashes her with a razor just as she finds her stupid keys. Then we see the rest of the small cast and crew watching the scenes they have of Sandra so far, giving the worst screams in the history of cinema. Simon even suggests that maybe they should make it a horror-comedy. They watch Sandra's character find her "cat" several times, and each take gets more and more horrible. I'll bet she took lesson's from the Jon Lovitz character Master Thespian.
As even Amy can't help laughing at the footage, the lights go out. After a few seconds, the projector starts up again, this time showing Sandra's murder. The murder is shown through the killer's camera, and everyone starts to wonder who filmed it, and why it's so realistic. Boy, these students are SMART!! Amy even runs up to the projection room to examine the film reel, but the killer has already taken it. Scrote, whose real name, I'm pretty sure is "PA Kevin", denies having seen anyone.
Dirk and Stan try to assure Amy that, as special effects guys, they know it's fake. Then there's another death, one that just happened: Travis just killed himself. Professor Solomon gathers the entire film class together, to give them the details of Travis' suicide. He supposedly blew his head off on a building rooftop. Amy looks to the side, and sees a mysterious figure slipping away from the crowd.
There's a small memorial for Travis, mostly attended by young women. One of the old has-beens gives Amy his condolences, then Graham approaches her. Being Graham, he tries hitting on her, even going so far as to tell her that if she plays along with him, his father will fund her movie entirely with his wealth. Graham calls Amy a hypocrite, and reveals that he knows that her father made movies as well. He also tells her that the only reason she's trying to be a filmmaker is because she needs to "save face". Then he walks away. Whoa!
As she walks by the campus tower, Amy briefly sees a light go off on one of the upper floors. Amy crosses under the police tape and finds the front entrance unlocked, so she enters. The lower floor is filled with statues covered in plastic. A figure runs past Amy, and she needs a fresh change of underwear. Oh wait, no, that was me. Good think I wore my brown trousers.
Amy, being a complete tool, remains rooted to her spot on the floor as the figure walks slowly in her direction. When he emerges from the plastic draped from the ceiling, the mystery figure is revealed to be....Travis!?!
DUN DUN DUNNNNNNN!
Oops, it's his never-mentioned "twin", Trevor. Was this movie written by folks who worked on daytime soaps? I'm willing to bet that it was. Either that, or it actually is Travis, and he's the killer. Either way, this twist is pathetic. Trevor asks Amy some questions about his brother, then starts to walk away when he doesn't like her answers.
Amy stops him, and discovers that Trevor thinks that Travis was murdered. Shocker. He begs her not to tell anyone that she saw him, then walks away again. If he isn't Travis, he's a dumbass, because he walks right past two students, running the risk of being identified. Considering that he claims not to know who were or weren't friends of his brother, that seems pretty damned stupid.
The movie brings us back to the set of Amy's movie. 2 actors are doing the "midnight scream" scene, and the filming has gone late. Exhausted, Amy tells everyone how great they're doing, and to go home until tomorrow. Vanessa pulls her aside, and asks Amy if anything is wrong. Amy doesn't mention the whole "Travis had a twin brother" thing, but mentions that she needs volunteers to record a loud group scream to loop into the scene they just shot. Vanessa begs off, claiming that she's too tired. Graham and Simon also decline to stay.
As Simon walks away, PA Kevin admires his camera, but Simon warns him not to touch it. Simon steps outside, and it looks like the entire campus teleported to London. Simon trudges down the sidewalk, unaware that the killer is following him at a pretty close distance.
There's a sequence now that's alternating between Simon and Amy. While he's walking, unaware that the killer is right behind him, she's getting a group together to record an epic scream in a sound booth. As the screamers start to get obnoxiously loud, Simon pauses outside the building to smoke, and you can even hear the scream faintly from where he is.
The killer whacks Simon in the face, then uses the camera as a weapon. The screams continue to drown out Simon's cries for help, and the killer uses his own camera to bash Simon's skull in. The screams stop, and Amy catches some of the murder in her sensitively-tuned boom mike. She drops all of her equipment, and rushes outside to see if she can save her director of photography. She misses seeing some bloody evidence in the snow, but does notice a handful of security cams in that location. I guess it's time to revisit Reese.
Reese, naturally, is a terrible security guard, so it should come as no surprise when I tell you that she's using the security monitors to watch one of her favorite movies, something featuring the character Foxy Brown. Amy convinces Reese to let her take a look at the timeframe showing the campus while the recording session was taking place. Reese warns her, though, to bring the tapes back immediately if she finds something suspicious.
Amy gets some time in an editting booth, and sees Simon get killed exactly when the scream session was taking place. She gathers up her stuff to find Reese, then hears an odd noise. She turns on the lights outside the booth, and nearly has a heart attack when she sees the killer wearing a freaky mask shaped like a crescent moon.
She assumes at first that it's Stan, one of the effects guys. But when he creepily tries to get to the door at the same time that she does, Amy locks it. Mzoonface then ducks past the door, drawing her forward to try to keep an eye on him. When she leans forward, the killer smashes the soundproof glass, and is now wearing his familiar fencing outfit. Amy tries to open the other exit, but it's jammed, so she instead kills the power with an emergency hatchet. When the killer steps into the sound booth, Amy ducks behind a table, runs past him, and quickly scurries away.
Amy watches from another hiding place as the killer walks around the booth, looking for her. He sees that he's standing next to a large piano, and tests each key, one note at a time. Want to guess what object Amy's hiding under?
She throws an object at some chimes, and makes her escape when the sudden sound and movement distracts the killer. Amy manages to get outside, but theb killer chases her out of the building, and follows close behind. She gets down to the lake or pond used by the rowing team, trips, and falls into the icy water. As Amy swims over to the side of a nearby building, the killer picks up his pace to see if he can spot her in the water before she gets away.
Amy, now hiding beneath a grating, hears the killer moving around looking for her. When gets to a point directly over the grating, he and Amy stare at each other.Then the killerlifts open the grating, and the chase resumes under the campus. Oops, no I guess the killer is trying to outrun her to the exit from above. My bad.
Amy gets to the end of the first corridor, and nearly gets knocked off of her feet by Reese, who saw her running and came to get her. Unfortunately, Reese never saw her attacker, and the killer apparently took the security tapes.. Reese feels bad for Amy, but tells her that without solid proof, no one would ever start an investigation.
Once home, Amy calls Trevor and asks him to meet again with her. The following day, Amy tells Trevor that she now believes that Sandra's murder was real, and that Travis was murdered too. When Amy mentions calling the cops, but Trevor once again advises against it. He tells Amy that he's had trouble with the law in the past, but is now tryig to change his ways. When Amy opens up for the umpteenth time about her dad's suicide, she decides that perhaps the killer is one of the students competing for the Hitchcock Award. Wow, she finally realized what most of us likely figured out when the award was first mentioned. Someone give her a cookie!
Trevor asks Amy where her next scene is being filmed, and she mentions a closed-up theme park on the edge of town. He tells her that he will try to hide there, in order to try to ambush the killer when he tries to strike again. When she hesitates, Trevor asks her to trust him.
Amy is next seen going for a jog, as the murders and the list of suspects weigh heavy on her mind. As the fencing mask is shown, each person's face is superimposed over it, usually saying something inane. The scene goes nowhere, and the next time we see Amy, she and Vanessa are doing a storyboard for the sequence they're going to film at the amusement park. Solomon admires the artwork, and asks them to tell him the urban legend.
It's another one I've never heard of, but it sounds interesting. It's about a carnival in town, but it's not like others. It has a version of the usual Tunnel of Love ride that is littered with body parts. The next morning, the carnival has left, and several local children are missing, to replenish the decorations at the Tunnel ride.
Vanessa makes light of the fact that the ride they're filming in doesn't look scary in the least, and then Dirk and Stan, the effects guys, arrive with props. They declare that the silly ride can be made scary in 3 hours, and are told that they only have one. As Amy watches them walk into the tunnel, one of them does some eerie whistling.
Inside, Stan yells down to Derek for a status report. Derek has been hard at work getting the electricity working for several mannequins, while Stan is above him on another level, happily dressing the set with morbid props. Outside, Amy gets pissed when Graham reveals that he asked more people to join the crew, without asking her first.
Stan and Derek horse around with various body part props, then Trevor shows up and lets Amy know he's there. To get some alone time with him, Amy tells everyone to take an hour to go grab a meal. The cast and crew gratefully leave. Trevor starts to move from his hiding position.
Stan and Derek haven't heard about the lunch break, so they're still testing the equipment. Amy calls them on a walkie-talkie, and they offer to show her their work so far. Amy agrees, but looks worried. They tell Amy how to start up the ride, and she hops into a mining car after following their instructions.
Stan tells Derek that Amy's on the way, and hurries to adjust some of the props. He fails to notice one of the miners slightly moving. It turns its head, revealing the fencing mask to the audience. Stan fiddles around with more props, and the killer gets behind him, and taps his shoulder. When Stan turns and sees him, the killer strikes his noggin with his pickaxe. Then he waits for Stan to grab a metal bar for support, and electrocutes him by sending charges through the bar.
Derek climbs the ladder up to Stan's level, and comes face-to-mask with the killer, who bashes a couple of his fingers pretty badly...he won't be playing piano for awhile, let's put it that way. Derek attempts to go back down the enclosed ladder, and the killer follows. Amy is completely unaware of the killer up ahead, of course, and admires the gruesome decorations that Derek and Stan have lined the tunnel with.
She comes to the end of the ride at roughly the same time that Derek gets off of the ladder. Inagony because of his wounded fingers, Derek weakly crawls away from the killer, but it's too late to escape. The killer corners Derek, then pushes him into a fusebox, and his corpse dances like a cockroach on a hot frying pan.
The power goes out, stranding Amy on the track. She assumes that it's a joke at first, but exits the cart after nothing turns back on. She calls down to the effects guys, then descends the enclosed ladder herself.
It doesn't take long to find a flashlight, then Derek's corpse. Amy runs back to the ladder, but narrowly escapes being spotted by the killer. In a clever and suspenseful bit, Amy hides behind the ladder enclosure, putting her mere inches from the killer's back. As soon as he's lower than her, Amy slides around to the inside of the cage again, and swiftly ascends the ladder. Of course, the killer hears the commotion, and starts to climb up after her again.
Amy decides to run back through the tunnel, and the killer stops for a moment to watch her retreat, before heading behind the scenery to try to get to her. When Amy descends some stairs, the killer grabs her ankle from behind the stairs and sends her sailing to the floor. She manages to get back on her feet and running again, and finally gets outside.
She sprints down the street--in fog, no less--then does something only a bonehead would do: Amy stops in her tracks, and turns around. Reese then makes her jump by getting in front of her. That leads to Reese calling in the cops, who take the corpses and tape off the crime scene. 2 cops behave like complete dickheads toward her and Reese, and Amy cuts their questions short.
Back at her place, Amy has a confrontation with Trevor over his so-called "protection", which apparently consisted of letting the killer have at her. Trevor claims that he was following Graham, and didn't get back to the set until after the police had arrived. Riiiiiiiiiiiiiight. I think we may have our killer. Heck, he may even be Travis, faking his death to claim victims easier.
Amy must have been dropped as a baby, because she buys his alibi and fills him in on what happened in the tunnel ride. She relaxes when she decides it wasn't Graham, but then Trevor tells her that Graham slipped away somehow. Uh-huh.
Suddenly, Amy has a possible revelation. She remembers that Stan and Dirk were only sophomores. Going with that logic, she decides that it wouldn't make sense for the killer to target them. Uh, Queen Dumbass, they were crew members on your movie, which makes them just as much targets as ANY cast and crew working on Hitchcock Award-eligible movies.
Anyway, Amy decides that her dumb suspicions over the choice of victims is worth looking into, but Trevor convinces her to get some sleep first. He gets her to relax on the bed, then spoons up behind her to get some cute-girl booty acti...uh, I mean he spoons her to also get some well-deserved rest.
Heh, it turns out my sarcastic comment was right on the nose! They decide to do the ol' horizontal bop. Sadly, we see more of his ass than hers. Man, I need to watch more "old school" slashers...these post-Scream slashers are waaaaaay too politically correct. Well, whatever...as they make love, Trevor takes a knife out from a hiding place, then plunges it into a pretty gosh-darned surprised Amy.
Aw, it was just a dream sequence. Amy sits up in the bed. It's morning, and Trevor has left, probably to post all of the pics and videos he took of her on Facebook. Oh, wait...she slept in her clothes. So even THAT didn't happen. It's like watching a movie produced by The Vatican.
Hmmmm, I guess it's not morning, because when Amy looks out of her window, it's darkout. Also, there's a light that goes on in the building where Travis killed himself. Amy runs to the tower, because apparently, she just never learns. By the time she reaches the top floor, Amy is out of breath and limping. I know the feeling--I get the same way after watching these things.
She assumes that it's Trevor waiting for her, but it's not. It's Vanessa, the hot lesbian. Giggity!
Vanessa claims that Amy sent her a note, asking for a rendezvous. When Amy tells her that someone else sent the note, Vanessa gets upset and Amy starts looking for the killer to emerge. It doesn't take long: a corpse falls from somewhere above them. It happens pretty fast, and even rewinding the damn thing, I'm not sure who it is. Oh, and as all of this is happening, Reese is just getting back to her security monitors as the killer begins the next chase.
As Amy tries to get herself and Vanessa to safety, Vanessa demands an explanation. Instead of answering her friend, Amy sees how close the killer is, and off they go again. The way Amy runs, I expect the killer to catch up in about 3 seconds.
Reese finally sees the alarm flashing, just as the girls arrive at the top of the tower. They find what appears to be a closet, and hide inside. Of course, it only works as a hiding place if they don't call attention to themselves. So they decide to get chatty.
As expected, the killer finds them and snatches Vanessa away, before slamming the door shut, and jamming the lock with a screwdriver. Screaming, Amy accidentally pulls a switch for the lights in the closet, and sees a pile of body parts in there to keep her company. To be more specific, she finds Simon and Sandra, with some assembly required.
Amy manages to force the door open, but finds Vanessa hanging from a rope tied to the giant bell in the tower. She runs back outside, just as Reese arrives. And Trevor. Would anyone else like to just randomly pop up? Anyone?
Trevor apologizes for leaving Amy unguarded, but tells her he found a clue. Jinkies! He tells Amy that, pnce he removed her name from the cast and crew, he found a common link between the rest of the group: All of them worked on the thesis film Travis created. They find the film and watch it, for more clues.
It's a stinker. But Amy DOES find a clue. The movie was spliced onto the credits Travis created. That implies that somebody else threw together a bunch of outtakes. At least that explains his low grade. But who sabotaged his movie?
They assume it was Toby, just to be an ass-hat. Then Toby is seen driving drunk, putting lyris to the theme music from Gone With the Wind. He brakes suddenly for a car in the middle of the road, but it's the killer....say WHAAAAT?!?
It's actually Amy, but she has a gun. Wow, I am more confused than a blonde trying to decide which sock goes on her left foot, and which goes on her right. Oh,wait...Travis is also there, holding a flare. They kidnap Toby.
The take Toby somewhere isolated, and handcuff him to a chair. Before they can question Toby, Professor Solomon walks in on the makeshift interrogation. As he does a double-take upon seeing Travis, Graham also pops up, albeit in a hiding spot.
Solomon asks Amy about the gun, and she admits that it's only a prop. Then Travis, pretending to be Trevor, tells the professor that Toby stole "his" movie. Unfortunately, Travis slips up by saying that Toby mixed "his" sound, and Toby clarifies that Travis preferred to do all of his own sound edits by himself. Toby even says that Travis only gave him a film credit to given him enough points to graduate.
Toby asks Solomon for help, and the teacher shoots him, send the chair and Toby soaring onto a movie set. Solomon confesses to blowing Travis' head off, and demands to know who Trevor actually is. Graham's phone goes off, and Trevor uses the distraction to wrestle with Solomon over the gun.
Sadly, Solomon keeps the gun. Amy tries hiding on another set, and Graham almost leaves, but decides to try and rescue Amy. Whoa! Solomon makes Trevor walk in front of him, and Amy sees Graham signal her to stay put. She, of course, stands up. When she gets Solomon talking, we finally get to hear what the motive was for the killings.
Solomon ended up losing the Hitchcock back when he was a student, to some dude named Chip. The deciding vote was cast against Solomon, by none other than Amy's father. Trapped in a mediocre teaching job, Solomon decided to steal the film Travis made, and replace it with the crap Amy and Trevor watched. He then began kiling everyone on Amy's set, merely to distract everyone from what he was doing.
Speaking of distractions, Graham uses Solomon's confession to sneak up behind him and bash him with a folding chair. Being a movie prop, it has almost no effect, so Solomon shoots Graham while he and Trevor grapple for control of the gun. It gets dropped and slides across the set, and the 2 men fight using whatever props happen to be nearby. Ay yi yi.
Thank the heavens, Reese comes to the rescue. Quickly assessing his chances, Solomon decides to try to convince Reese that Amy and Trevor were trying to murder him. Reese tells Amy to drop her gun, and she complies. Then Reese tells everyone to get off the set. Feeling pretty confident, Solomon blames Amy for the murders, and tells the security guard that it was Amy she saw one night lurking around.
Oops. It turns out that Reese had kept that to herself. Caught in his lie, Solomon kicks Reese's gun out of her hand, then punches her as she reaches for the gun with the gold trim. A bunch of prop guns also end up on the floor, and everyone goes looking for any of the real guns.
Amy gets the gold gun, and Solomon and she exchange taunts. When Solomon tries to get Amy to fire at him, she hesitates, so he lunges at her. The gun goes off, and it turns out that Amy fired it into Soloomon at close range. Then Toby and Graham turn up alive and begging for medical help, and Reese delivers a corny line from one of her favorite blaxploitation flicks. Sheesh.
In the following scene, Trevor accepts the Hitchcock on behalf of his brother. Scrote, watching from the rafters, pulls out a rifle with a telescopic sight, and aims at Trevor. Reese spots Scrote before he pulls the trigger, and takes him down with several shots., he falls, not to his death, but onto an inflated stunt pad.
Everyone who survived is there: Graham is Amy's agent; Scrote, as we saw, is an actor; and Toby, who was such an ass, is now doing Scrote's old job of being a lackey. Oh, and Amy is a big-time director, with Trevor at her side. Everyone lives happily ever after...
Well, with one exception. Solomon is seen in a hospital for the criminally disturbed. As he sits in his wheelchair looking catatonic, a nurse starts to push him down the corridor, telling him that they have a lot in common, and much to discuss. The nurse turns out to be Brenda, the killer from the first UL movie. As the credits roll, she wheels Solomon down the longest hallway in movie history. THE END
Whew! I know, I know, I'm 2 weeks late. Last week, I was hit hard by an infection, and spent most of it in bed. Literally, I slept something like 3 days straight. This past week, I had a lot to catch up on, not just this blog. I'm trying to double up on my movies, to make up for that week, so we'll see how that goes. The next slasher is something called Venom, so hopefully it's good.
Oh, and what has Urban Legends: Final Cut taught me?
-That I can get tons of mileage from jokes about Joey Lawrence. Whoa!
-Killers are often caught because their plans are waaaay too complicated.
-Taking a tragedy that killed many of your friends, and using it as a stepping-stone to fame, is never in bad taste.
See ya!
The movie begins with a lot of thunder and lightning. Oh, and apparently, we're on a plane filled with partying college kids.. Cool. A young woman is nervously watching the rough weather, while a whiny-voiced nerd next to her is helpfully recreating the "gremlin on the plane's wing" moment from The Twilight Zone. Nice guy.
Another girl, who was in the slasher Valentine, goes off with her boyfriend to join The Mile High Club. Along the way, an elderly woman gives them the stink eye. Oh, and in the most awesome spoiled surprise ever, you can clearly see the message YOU'RE GOING DOWN written on the bathroom mirror, waaaay before you're supposed to. Nice.
Anyway, Nerd Boy sees a creepy male flight attendant staring at the rowdy students, and they make eye contact. That's when the Mile High Girl, whose boyfriend is, ummm, munching Down Under, finally sees the message on the wall. When she reads it out loud, her boyfriend happily agrees. Heh. She yanks her boyfriend's(Rob's) head up so that he can see the message, and they both quickly decide to get out of the bathroom as they feel the plane rapidly descending.
As they're still figuring out how to exit the toilet, the rest of the passengers get freaked out when breathing masks drop from the ceiling. Mile High Girl exits the restroom first, and sees all of the passengers slumped over. She assumes that they all just passed out, until the old lady she saw earlier slumps over in her seat, revealing a knife wedged in her back. Guess she's not sleeping.
The killer emerges with another bloodstained knife, and he and Mile High Girl face off for a moment or two. Fate intervenes, and the killer is knocked over by a runaway drink cart that comes sliding down the aisle. Rob finally emerges from the bathroom, and asks his girlfriend what's going on, then they both start running up the aisle.
In the small area the flight attendants use to prepare the snacks, they find Nerd Boy dead. The killer pops up again, so the couple decide to run to the front of the plane. Along the way, they discover a couple of female flight attendants strapped into their seats, brutally slaughtered. Ignoring reality, the couple easily slip into the cockpit and shut the door on the killer, locking it also.
The crew is dead as well. When the hell did this guy have time to commit all of these freakin' murders? As the killer attempts to bust open the door, Mile High Girl dumps the pilot out of his seat and decides to try to contact someone on the ground. She should just wait a second, she's heading right for them...
She puts on a headset, and just starts saying, "Mayday!" over and over again into the microphone. At the very same time, the killer gets in, so she screams even louder into the headset. Then a guy in sunglasses appears in the windshield, clinging to the rain-soaked glass. Mile High Girl shrieks, and he yells "Cut!"
Yeah. It was all just a movie set.
While the director continues screaming at the crew, the "rain" stops, and the plane stops shaking. Then he scolds the actress, Sandra, telling her that her character isn't supposed to be flying the plane. He also scolds a crew member named Vanessa(played by the lovely Eva Mendes), because she let a boom mike drop into one of the shots. As Vanessa commiserates with fellow crew member Amy , the director kisses up to the actor playing the killer, because he seems to have a stick up his ass. Oh, and Joey Lawrence is another crew member, "Graham", working with a scruffy guy referred to as "Scrote".
Using a megaphone, the director then threatens to kill Sandra if she doesn't do the scene right. He then has them set up to try another take. Hmmm. Is this an early hint about the killer? Probably not.
The heroine of our story, Amy, is next seen jogging. She's apparently the world's least-athletic runner, because the season changes from winter to spring in front of the campus as she's running toward the main building. As the movie resumes, the chairman of the film department is welcoming film students for the spring semester. See, I told you she ran slow! Thought I was kidding, didn't you?
Anyway, he delivers some grandiose, self-serving speech, then introduces a douchebag named Mr. Solomon to the students. The kids make fun of the staff as each teacher is introduced by Mr. Solomon, due to the fact that they're all a group of sad-sack has-beens. Then it's revealed that Amy is one of the small minority of film students who have yet to submit a "thesis film", a finished production that shows her skill as a film-maker put to the test. Heck, she hasn't even submitted an idea yet! She better hurry up, because at the end of each year, one lucky student wins a $15,000 prize known as The Hitchcock Award. The award more or less guarantees the recipient a future in Hollywood. From the rafters, Scrote is reading Solomon's speech into a microphone, and Solomon is repeating it word-for-word. Douche.
Um, it's winter again. WTF, man? Oh wait, Amy is walking across the campus...that explains it. By the time this movie ends, it could be decades later. Pray for my sanity, folks.
Amy gets frightened by a group of mother-flockin' birds that totally flock her up, then she gets a beam of light aimed right at her eyes. The light belongs to Reese, a member of the campus security staff. Reese! She was in the previous movie too, so I guess her character's presence is the connective tissue between both films. Awesome...I loved her goofy character in the first movie.
Okay, so Reese offers to give Amy a lift. She's probably seen how slow Amy walks. During the short drive across the campus, the women bond over a mutual love of Pam Grier movies. Then Reese suggests the events of the first UL film as Amy's thesis. Cute. She reveals that the murders at Pendleton were covered up, and she was fired for not agreeing to go along with the deception.
Amy enters the film library building, and walks into Solomon's office, where he is being slowly bored to death ny a lecture by one of the "legends" on the faculty. Amy gives Solomon her thesis, which is a slasher flick based on urban legends.Uhhhh....kind of "on the nose", isn't it?
Solomon likes it, but agrees with Amy's assessment that it needs to be given a definitive style. He suggests that it would work best as either a gore-heavy slasher flick, or as a more tension-filled psychological thriller, and she declares that it would have a bit of both. Solomon then compliments her on the idea, saying that it's "great". Wow, the writer sure had a healthy ego, huh?
That night, Travis(a hopeful director, as well as a friend of Amy) is on a date with a cute gal named Lisa. He orders drinks, and we see the killer spiking one of the drinks at the bar. Travis soon leaves, and Lisa unwittingly sips on the drink that was tampered with. She spurns the advances of a rather intense-looking stalker-type, and tries to leave, because she has a flight to take the next day. Of course, that's pretty much when the roofies kick in.
Lisa gets as far as the coat-check area, and then her eyes start to blur. Unable to properly see the number on her ticket, Lisa gropes around the coats--and that's when the killer leaps out of hiding and smothers her in a plastic sheet. Sounds dumb, I know, but it's a pretty decent jump-scare.
When Lisa wakes up, she's in a bathtub filled with ice. She sees a fresh-looking kidney in a dish next to a pair of bloody scissors, and finds a ragged, bleeding scar in her side. Lisa realizes that she's been made part of one of the most infamous urban legends ever told, and sees her abductor in another room, with his back to the frightened young woman.
Though she's really trying, Lisa can't quite make a quiet escape. She slips on the bloodstained floor, but still manages to shut the door and put a few obstacles in the way, to buy herself the time she needs to escape. Pretty smart thinking.
Or not. Lisa sees her purse on the floor, dumps the contents on the floor, and dials 911. While that also seems smart, she screws up big time by telling them about the kidney heist. The dispatcher informs her that he knows the urban legend, and hangs up. Lisa spies a window that could be a good escape route, but a dog outside convinces her to think otherwise.
She sees a different window, and decides to use that one for her exit. 2 things happen then: the killer gets into the bathroom, and the dog finds her hanging halfway out of the window. The killer reaches Lisa first, and tears open her surgical wound. She tries to hang onto some barbed wire, but that works out about as well as you'd figure it would. Making one last attempt to defend herself, Lisa tries to hit the killer with her hands, and breaks the glass in the window instead. The killer brings the jagged shards down on her neck, decapitating poor Lisa. As the dog contemplates how to eat a human head, the window opens one more time, and the killer lets the stray dog have her kidney too. Yum!
In the next scene, we go back to film school. Amy meets up with Sandra for lunch in the dining hall. There, she tells Sandra another urban legend, one I haven't heard before. Supposedly, before taking their finals, a group of students got together and had a midnight scream session, to alleviate tension.( Yeah, I'm sure the rest of the school appreciated that!) The story goes, that as the students screamed, the noise covered the sound of the screams of an actual murder victim.
As Amy reveals that the story is an urban legend, Sandra starts relating several stories involving bugs and other gross things found in food. Really? During lunch? Anyway, when Sandra asks for a role in the movie, Amy invites her to a late-night recording session for authentic-sounding screams. Gosh, I honestly have no idea what will happen next.
Amy is next seen walking past several recording/editing studios.The asswipe director from the great opening sequence is watching painful clips of Sandra trying to scream in a way that sounds terrified. She can't do it. In the next editing bay, Travis is watching a clip that sounds like a feminine hygiene ad. Behind Amy, someone walks into the corridor wearing the same snowjacket the killer from the first UL movie wore. Uh oh....is crazy Brenda back? Nope, it's just the 2 slackers who provided the "special effects" in the opening sequence.
Travis hears the commotion, and comes out to chat with Amy. When she asks how his film is coming along, Travis clams up a bit. Amy asks him to look at her script, and they make a date for Tuesday night. Fascinating. Considering that the only 2 films we've seen these students make so far are slasher movies, I'm betting that Travis isn't directing something based on a Jane Austen novel.
The the story switches gears to bring us to show us a hot-but-not-yet-famous Eva Mendes(Vanessa), and a not-famous-and-perhaps-never-will-be Joey Lawrence as Graham. Was Joey the one who always said "Whoa!" on that sitcom, or was that his brother Matthew? Wow, I sure do get easily distracted! Anyway, Vanessa is annoyed that Graham is always on his phone, so she brings up the urban legend that cell phones give you brain cancer. It turns out that they're at a storyboard/script meeting to discuss Amy's urban legend movie. Also there are Scrote(whose real name I'm still not sure about), Sandra, and the 2 effects/prop guys. Graham pompously tells Scrote to wash his car, and the poor guy does it.
Amy then shows the group another urban legend, involving a girl who has a fear of the dark. She sleeps with her dog in the room,and he licks her hand when she lets her arm hang off the side of the bed. The next morning, the woman finds her dog's corpse hanging on a shower rod, and a message written on the wall: HUMANS CAN LICK TOO.
As they continue to sit and chat, there's a pointless discussion over which is better, practical effects or digital effects, followed by a verbal attack on Amy by Toby, the student directing the airplane slasher seen at the start of the film. He thinks that she stole his genre, even though she tries to tell him how her film is different.
Back at one of the housing buildings, Amy finds Travis drunk and despondent. His film only earned a C minus, and Amy tells him that he deserved better. When he brings up the Hitchcock Award, Amy tells him that he's too talented to fail in Hollywood. Then, seeing Travis at his lowest, she asks him to help her find a new director of photography, since Toby abandoned the position 1 scene ago. He gives her a tip about a guy named Simon. Before she leaves, Amy tells Travis that everything will be okay. Yeah, right!
That evening, Amy is ready to shoot her first movie scene as a director. As she is greeted by a few cast and crew members, there's an accident on the set...Sandra is hit by a fallen light. Amy examines the wound on her scalp, then Sandra opens her eyes and says, "Gotcha!" Yeesh.
Amongst the giggling crew, Sandra tells Amy that Graham's father got her an audition for an episode of ER. Then they start setting up for the scene with the dead dog and the girl's hand getting licked by a killer. The dead dog prop is pretty realistic-looking, which just makes me wish even more that the movie scenes within the movie were an actual movie. How many times in 1 paragraph can I say "movie"? Movie. Movie, movie.
Anyway, an ominous man in black walks onto the set, just as they start filming. He introduces himself as Schorm, and says that Travis asked him to assist her with her film. Ah, okay, this is "Simon", the director of photography that Travis promised to get for Amy's horror movie. He then tries to seduce Vanessa, but it turns out that she's into women. Cool! So am I!
After that, the parking lot is deserted, but not for long. Sandra staggers outside, struggling to carry a dress and some other stuff to her car. Unfortunately, it appears that she may have locked herself out of the car.
Sandra trudges back to the set, and fumbles around for the interior lights. She finds herself on a set dressed up for a crime scene, complete with a strobing police light. As Sandra looks around for her keys, a shape under a red blanket begins moving. The killer eventually stands up, and attaches a microphone to a camera, which he then picks up to begin filming Sandra's murder.
Sandra is, of course, unable to see a tall figure dressed in a bright red blanket suddenly standing up. I know, I know, the killer's behind her...but wouldn't she still see or hear a sudden movement like that? Oh, and can we dispense with the whole "our victim looks in one direction long enough for the killer to move to a different position in the background" scene in every single frickin' horror movie too? That one never ceases to annoy me.
Anyway, the killer sneaks behind Sandra, and slashes her with a razor just as she finds her stupid keys. Then we see the rest of the small cast and crew watching the scenes they have of Sandra so far, giving the worst screams in the history of cinema. Simon even suggests that maybe they should make it a horror-comedy. They watch Sandra's character find her "cat" several times, and each take gets more and more horrible. I'll bet she took lesson's from the Jon Lovitz character Master Thespian.
As even Amy can't help laughing at the footage, the lights go out. After a few seconds, the projector starts up again, this time showing Sandra's murder. The murder is shown through the killer's camera, and everyone starts to wonder who filmed it, and why it's so realistic. Boy, these students are SMART!! Amy even runs up to the projection room to examine the film reel, but the killer has already taken it. Scrote, whose real name, I'm pretty sure is "PA Kevin", denies having seen anyone.
Dirk and Stan try to assure Amy that, as special effects guys, they know it's fake. Then there's another death, one that just happened: Travis just killed himself. Professor Solomon gathers the entire film class together, to give them the details of Travis' suicide. He supposedly blew his head off on a building rooftop. Amy looks to the side, and sees a mysterious figure slipping away from the crowd.
There's a small memorial for Travis, mostly attended by young women. One of the old has-beens gives Amy his condolences, then Graham approaches her. Being Graham, he tries hitting on her, even going so far as to tell her that if she plays along with him, his father will fund her movie entirely with his wealth. Graham calls Amy a hypocrite, and reveals that he knows that her father made movies as well. He also tells her that the only reason she's trying to be a filmmaker is because she needs to "save face". Then he walks away. Whoa!
As she walks by the campus tower, Amy briefly sees a light go off on one of the upper floors. Amy crosses under the police tape and finds the front entrance unlocked, so she enters. The lower floor is filled with statues covered in plastic. A figure runs past Amy, and she needs a fresh change of underwear. Oh wait, no, that was me. Good think I wore my brown trousers.
Amy, being a complete tool, remains rooted to her spot on the floor as the figure walks slowly in her direction. When he emerges from the plastic draped from the ceiling, the mystery figure is revealed to be....Travis!?!
DUN DUN DUNNNNNNN!
Oops, it's his never-mentioned "twin", Trevor. Was this movie written by folks who worked on daytime soaps? I'm willing to bet that it was. Either that, or it actually is Travis, and he's the killer. Either way, this twist is pathetic. Trevor asks Amy some questions about his brother, then starts to walk away when he doesn't like her answers.
Amy stops him, and discovers that Trevor thinks that Travis was murdered. Shocker. He begs her not to tell anyone that she saw him, then walks away again. If he isn't Travis, he's a dumbass, because he walks right past two students, running the risk of being identified. Considering that he claims not to know who were or weren't friends of his brother, that seems pretty damned stupid.
The movie brings us back to the set of Amy's movie. 2 actors are doing the "midnight scream" scene, and the filming has gone late. Exhausted, Amy tells everyone how great they're doing, and to go home until tomorrow. Vanessa pulls her aside, and asks Amy if anything is wrong. Amy doesn't mention the whole "Travis had a twin brother" thing, but mentions that she needs volunteers to record a loud group scream to loop into the scene they just shot. Vanessa begs off, claiming that she's too tired. Graham and Simon also decline to stay.
As Simon walks away, PA Kevin admires his camera, but Simon warns him not to touch it. Simon steps outside, and it looks like the entire campus teleported to London. Simon trudges down the sidewalk, unaware that the killer is following him at a pretty close distance.
There's a sequence now that's alternating between Simon and Amy. While he's walking, unaware that the killer is right behind him, she's getting a group together to record an epic scream in a sound booth. As the screamers start to get obnoxiously loud, Simon pauses outside the building to smoke, and you can even hear the scream faintly from where he is.
The killer whacks Simon in the face, then uses the camera as a weapon. The screams continue to drown out Simon's cries for help, and the killer uses his own camera to bash Simon's skull in. The screams stop, and Amy catches some of the murder in her sensitively-tuned boom mike. She drops all of her equipment, and rushes outside to see if she can save her director of photography. She misses seeing some bloody evidence in the snow, but does notice a handful of security cams in that location. I guess it's time to revisit Reese.
Reese, naturally, is a terrible security guard, so it should come as no surprise when I tell you that she's using the security monitors to watch one of her favorite movies, something featuring the character Foxy Brown. Amy convinces Reese to let her take a look at the timeframe showing the campus while the recording session was taking place. Reese warns her, though, to bring the tapes back immediately if she finds something suspicious.
Amy gets some time in an editting booth, and sees Simon get killed exactly when the scream session was taking place. She gathers up her stuff to find Reese, then hears an odd noise. She turns on the lights outside the booth, and nearly has a heart attack when she sees the killer wearing a freaky mask shaped like a crescent moon.
She assumes at first that it's Stan, one of the effects guys. But when he creepily tries to get to the door at the same time that she does, Amy locks it. Mzoonface then ducks past the door, drawing her forward to try to keep an eye on him. When she leans forward, the killer smashes the soundproof glass, and is now wearing his familiar fencing outfit. Amy tries to open the other exit, but it's jammed, so she instead kills the power with an emergency hatchet. When the killer steps into the sound booth, Amy ducks behind a table, runs past him, and quickly scurries away.
Amy watches from another hiding place as the killer walks around the booth, looking for her. He sees that he's standing next to a large piano, and tests each key, one note at a time. Want to guess what object Amy's hiding under?
She throws an object at some chimes, and makes her escape when the sudden sound and movement distracts the killer. Amy manages to get outside, but theb killer chases her out of the building, and follows close behind. She gets down to the lake or pond used by the rowing team, trips, and falls into the icy water. As Amy swims over to the side of a nearby building, the killer picks up his pace to see if he can spot her in the water before she gets away.
Amy, now hiding beneath a grating, hears the killer moving around looking for her. When gets to a point directly over the grating, he and Amy stare at each other.Then the killerlifts open the grating, and the chase resumes under the campus. Oops, no I guess the killer is trying to outrun her to the exit from above. My bad.
Amy gets to the end of the first corridor, and nearly gets knocked off of her feet by Reese, who saw her running and came to get her. Unfortunately, Reese never saw her attacker, and the killer apparently took the security tapes.. Reese feels bad for Amy, but tells her that without solid proof, no one would ever start an investigation.
Once home, Amy calls Trevor and asks him to meet again with her. The following day, Amy tells Trevor that she now believes that Sandra's murder was real, and that Travis was murdered too. When Amy mentions calling the cops, but Trevor once again advises against it. He tells Amy that he's had trouble with the law in the past, but is now tryig to change his ways. When Amy opens up for the umpteenth time about her dad's suicide, she decides that perhaps the killer is one of the students competing for the Hitchcock Award. Wow, she finally realized what most of us likely figured out when the award was first mentioned. Someone give her a cookie!
Trevor asks Amy where her next scene is being filmed, and she mentions a closed-up theme park on the edge of town. He tells her that he will try to hide there, in order to try to ambush the killer when he tries to strike again. When she hesitates, Trevor asks her to trust him.
Amy is next seen going for a jog, as the murders and the list of suspects weigh heavy on her mind. As the fencing mask is shown, each person's face is superimposed over it, usually saying something inane. The scene goes nowhere, and the next time we see Amy, she and Vanessa are doing a storyboard for the sequence they're going to film at the amusement park. Solomon admires the artwork, and asks them to tell him the urban legend.
It's another one I've never heard of, but it sounds interesting. It's about a carnival in town, but it's not like others. It has a version of the usual Tunnel of Love ride that is littered with body parts. The next morning, the carnival has left, and several local children are missing, to replenish the decorations at the Tunnel ride.
Vanessa makes light of the fact that the ride they're filming in doesn't look scary in the least, and then Dirk and Stan, the effects guys, arrive with props. They declare that the silly ride can be made scary in 3 hours, and are told that they only have one. As Amy watches them walk into the tunnel, one of them does some eerie whistling.
Inside, Stan yells down to Derek for a status report. Derek has been hard at work getting the electricity working for several mannequins, while Stan is above him on another level, happily dressing the set with morbid props. Outside, Amy gets pissed when Graham reveals that he asked more people to join the crew, without asking her first.
Stan and Derek horse around with various body part props, then Trevor shows up and lets Amy know he's there. To get some alone time with him, Amy tells everyone to take an hour to go grab a meal. The cast and crew gratefully leave. Trevor starts to move from his hiding position.
Stan and Derek haven't heard about the lunch break, so they're still testing the equipment. Amy calls them on a walkie-talkie, and they offer to show her their work so far. Amy agrees, but looks worried. They tell Amy how to start up the ride, and she hops into a mining car after following their instructions.
Stan tells Derek that Amy's on the way, and hurries to adjust some of the props. He fails to notice one of the miners slightly moving. It turns its head, revealing the fencing mask to the audience. Stan fiddles around with more props, and the killer gets behind him, and taps his shoulder. When Stan turns and sees him, the killer strikes his noggin with his pickaxe. Then he waits for Stan to grab a metal bar for support, and electrocutes him by sending charges through the bar.
Derek climbs the ladder up to Stan's level, and comes face-to-mask with the killer, who bashes a couple of his fingers pretty badly...he won't be playing piano for awhile, let's put it that way. Derek attempts to go back down the enclosed ladder, and the killer follows. Amy is completely unaware of the killer up ahead, of course, and admires the gruesome decorations that Derek and Stan have lined the tunnel with.
She comes to the end of the ride at roughly the same time that Derek gets off of the ladder. Inagony because of his wounded fingers, Derek weakly crawls away from the killer, but it's too late to escape. The killer corners Derek, then pushes him into a fusebox, and his corpse dances like a cockroach on a hot frying pan.
The power goes out, stranding Amy on the track. She assumes that it's a joke at first, but exits the cart after nothing turns back on. She calls down to the effects guys, then descends the enclosed ladder herself.
It doesn't take long to find a flashlight, then Derek's corpse. Amy runs back to the ladder, but narrowly escapes being spotted by the killer. In a clever and suspenseful bit, Amy hides behind the ladder enclosure, putting her mere inches from the killer's back. As soon as he's lower than her, Amy slides around to the inside of the cage again, and swiftly ascends the ladder. Of course, the killer hears the commotion, and starts to climb up after her again.
Amy decides to run back through the tunnel, and the killer stops for a moment to watch her retreat, before heading behind the scenery to try to get to her. When Amy descends some stairs, the killer grabs her ankle from behind the stairs and sends her sailing to the floor. She manages to get back on her feet and running again, and finally gets outside.
She sprints down the street--in fog, no less--then does something only a bonehead would do: Amy stops in her tracks, and turns around. Reese then makes her jump by getting in front of her. That leads to Reese calling in the cops, who take the corpses and tape off the crime scene. 2 cops behave like complete dickheads toward her and Reese, and Amy cuts their questions short.
Back at her place, Amy has a confrontation with Trevor over his so-called "protection", which apparently consisted of letting the killer have at her. Trevor claims that he was following Graham, and didn't get back to the set until after the police had arrived. Riiiiiiiiiiiiiight. I think we may have our killer. Heck, he may even be Travis, faking his death to claim victims easier.
Amy must have been dropped as a baby, because she buys his alibi and fills him in on what happened in the tunnel ride. She relaxes when she decides it wasn't Graham, but then Trevor tells her that Graham slipped away somehow. Uh-huh.
Suddenly, Amy has a possible revelation. She remembers that Stan and Dirk were only sophomores. Going with that logic, she decides that it wouldn't make sense for the killer to target them. Uh, Queen Dumbass, they were crew members on your movie, which makes them just as much targets as ANY cast and crew working on Hitchcock Award-eligible movies.
Anyway, Amy decides that her dumb suspicions over the choice of victims is worth looking into, but Trevor convinces her to get some sleep first. He gets her to relax on the bed, then spoons up behind her to get some cute-girl booty acti...uh, I mean he spoons her to also get some well-deserved rest.
Heh, it turns out my sarcastic comment was right on the nose! They decide to do the ol' horizontal bop. Sadly, we see more of his ass than hers. Man, I need to watch more "old school" slashers...these post-Scream slashers are waaaaaay too politically correct. Well, whatever...as they make love, Trevor takes a knife out from a hiding place, then plunges it into a pretty gosh-darned surprised Amy.
Aw, it was just a dream sequence. Amy sits up in the bed. It's morning, and Trevor has left, probably to post all of the pics and videos he took of her on Facebook. Oh, wait...she slept in her clothes. So even THAT didn't happen. It's like watching a movie produced by The Vatican.
Hmmmm, I guess it's not morning, because when Amy looks out of her window, it's darkout. Also, there's a light that goes on in the building where Travis killed himself. Amy runs to the tower, because apparently, she just never learns. By the time she reaches the top floor, Amy is out of breath and limping. I know the feeling--I get the same way after watching these things.
She assumes that it's Trevor waiting for her, but it's not. It's Vanessa, the hot lesbian. Giggity!
Vanessa claims that Amy sent her a note, asking for a rendezvous. When Amy tells her that someone else sent the note, Vanessa gets upset and Amy starts looking for the killer to emerge. It doesn't take long: a corpse falls from somewhere above them. It happens pretty fast, and even rewinding the damn thing, I'm not sure who it is. Oh, and as all of this is happening, Reese is just getting back to her security monitors as the killer begins the next chase.
As Amy tries to get herself and Vanessa to safety, Vanessa demands an explanation. Instead of answering her friend, Amy sees how close the killer is, and off they go again. The way Amy runs, I expect the killer to catch up in about 3 seconds.
Reese finally sees the alarm flashing, just as the girls arrive at the top of the tower. They find what appears to be a closet, and hide inside. Of course, it only works as a hiding place if they don't call attention to themselves. So they decide to get chatty.
As expected, the killer finds them and snatches Vanessa away, before slamming the door shut, and jamming the lock with a screwdriver. Screaming, Amy accidentally pulls a switch for the lights in the closet, and sees a pile of body parts in there to keep her company. To be more specific, she finds Simon and Sandra, with some assembly required.
Amy manages to force the door open, but finds Vanessa hanging from a rope tied to the giant bell in the tower. She runs back outside, just as Reese arrives. And Trevor. Would anyone else like to just randomly pop up? Anyone?
Trevor apologizes for leaving Amy unguarded, but tells her he found a clue. Jinkies! He tells Amy that, pnce he removed her name from the cast and crew, he found a common link between the rest of the group: All of them worked on the thesis film Travis created. They find the film and watch it, for more clues.
It's a stinker. But Amy DOES find a clue. The movie was spliced onto the credits Travis created. That implies that somebody else threw together a bunch of outtakes. At least that explains his low grade. But who sabotaged his movie?
They assume it was Toby, just to be an ass-hat. Then Toby is seen driving drunk, putting lyris to the theme music from Gone With the Wind. He brakes suddenly for a car in the middle of the road, but it's the killer....say WHAAAAT?!?
It's actually Amy, but she has a gun. Wow, I am more confused than a blonde trying to decide which sock goes on her left foot, and which goes on her right. Oh,wait...Travis is also there, holding a flare. They kidnap Toby.
The take Toby somewhere isolated, and handcuff him to a chair. Before they can question Toby, Professor Solomon walks in on the makeshift interrogation. As he does a double-take upon seeing Travis, Graham also pops up, albeit in a hiding spot.
Solomon asks Amy about the gun, and she admits that it's only a prop. Then Travis, pretending to be Trevor, tells the professor that Toby stole "his" movie. Unfortunately, Travis slips up by saying that Toby mixed "his" sound, and Toby clarifies that Travis preferred to do all of his own sound edits by himself. Toby even says that Travis only gave him a film credit to given him enough points to graduate.
Toby asks Solomon for help, and the teacher shoots him, send the chair and Toby soaring onto a movie set. Solomon confesses to blowing Travis' head off, and demands to know who Trevor actually is. Graham's phone goes off, and Trevor uses the distraction to wrestle with Solomon over the gun.
Sadly, Solomon keeps the gun. Amy tries hiding on another set, and Graham almost leaves, but decides to try and rescue Amy. Whoa! Solomon makes Trevor walk in front of him, and Amy sees Graham signal her to stay put. She, of course, stands up. When she gets Solomon talking, we finally get to hear what the motive was for the killings.
Solomon ended up losing the Hitchcock back when he was a student, to some dude named Chip. The deciding vote was cast against Solomon, by none other than Amy's father. Trapped in a mediocre teaching job, Solomon decided to steal the film Travis made, and replace it with the crap Amy and Trevor watched. He then began kiling everyone on Amy's set, merely to distract everyone from what he was doing.
Speaking of distractions, Graham uses Solomon's confession to sneak up behind him and bash him with a folding chair. Being a movie prop, it has almost no effect, so Solomon shoots Graham while he and Trevor grapple for control of the gun. It gets dropped and slides across the set, and the 2 men fight using whatever props happen to be nearby. Ay yi yi.
Thank the heavens, Reese comes to the rescue. Quickly assessing his chances, Solomon decides to try to convince Reese that Amy and Trevor were trying to murder him. Reese tells Amy to drop her gun, and she complies. Then Reese tells everyone to get off the set. Feeling pretty confident, Solomon blames Amy for the murders, and tells the security guard that it was Amy she saw one night lurking around.
Oops. It turns out that Reese had kept that to herself. Caught in his lie, Solomon kicks Reese's gun out of her hand, then punches her as she reaches for the gun with the gold trim. A bunch of prop guns also end up on the floor, and everyone goes looking for any of the real guns.
Amy gets the gold gun, and Solomon and she exchange taunts. When Solomon tries to get Amy to fire at him, she hesitates, so he lunges at her. The gun goes off, and it turns out that Amy fired it into Soloomon at close range. Then Toby and Graham turn up alive and begging for medical help, and Reese delivers a corny line from one of her favorite blaxploitation flicks. Sheesh.
In the following scene, Trevor accepts the Hitchcock on behalf of his brother. Scrote, watching from the rafters, pulls out a rifle with a telescopic sight, and aims at Trevor. Reese spots Scrote before he pulls the trigger, and takes him down with several shots., he falls, not to his death, but onto an inflated stunt pad.
Everyone who survived is there: Graham is Amy's agent; Scrote, as we saw, is an actor; and Toby, who was such an ass, is now doing Scrote's old job of being a lackey. Oh, and Amy is a big-time director, with Trevor at her side. Everyone lives happily ever after...
Well, with one exception. Solomon is seen in a hospital for the criminally disturbed. As he sits in his wheelchair looking catatonic, a nurse starts to push him down the corridor, telling him that they have a lot in common, and much to discuss. The nurse turns out to be Brenda, the killer from the first UL movie. As the credits roll, she wheels Solomon down the longest hallway in movie history. THE END
Whew! I know, I know, I'm 2 weeks late. Last week, I was hit hard by an infection, and spent most of it in bed. Literally, I slept something like 3 days straight. This past week, I had a lot to catch up on, not just this blog. I'm trying to double up on my movies, to make up for that week, so we'll see how that goes. The next slasher is something called Venom, so hopefully it's good.
Oh, and what has Urban Legends: Final Cut taught me?
-That I can get tons of mileage from jokes about Joey Lawrence. Whoa!
-Killers are often caught because their plans are waaaay too complicated.
-Taking a tragedy that killed many of your friends, and using it as a stepping-stone to fame, is never in bad taste.
See ya!
Sunday, August 21, 2011
Sam's Lake
Okay, so this week's movie is one I haven't heard much about. Hopefully it's a slasher. It's called Sam's Lake, and the premise sound good...basically, a young woman named Samantha invites a group of friends to check out a lake house that she inherited. Will it sink or swim? Let's find out together, as I watch and deliver my usual SPOILER-filled play-by play!
The movie begins with a young man breaking out of a mental hospital. That's a promising start. He travels by foot, until he arrives at a house, where he proceeds to break in and slaughter the woman who lives there. We don't see the murder, though...we just hear her scream as an outside view of the house is shown. Great.
Then the movie brings us to a clothing boutique. A group of twentysomethings are having a conversation whose sole purpose is to tell the audience what's going on. The gist is that Sam, the cute redhead in the title, has just been given a lake house after her father died in a weird hunting accident. Her friends are Franklin, the movie's black guy(so, if this follows slasher rules, he won't last long); Dominik, an effeminate Latino; Sam's cute Asian friend, Kate; and Melanie, an attractive blond.
They stop at a local general store as they get close to the lake, where they get scrutinized by a squinty, weird guy behind the register. Out by the gas pump, Kate is freaked out by 2 old coots staring at her, then a mysterious guy who looks like he pump;s gas, but vanishes when she turns away for a moment. Wow. Scary. Yay.
So, they finally get on the road again, and Kate spots a creepy-looking house out in the middle of nowhere. A figure inside the house moves, and Kate seems to have noticed, because she cranes her neck to look at it, even after the car has passed it by. Then Sam calls everyone's attention to a sign on a tree: SAM'S LAKE. Hey, I think there's a movie with that title!! Anyway, Sam claims her dad named the lake after her.
As everyone takes in the amazing view, Sam picks a leaf out of the water that's pretty much been floating down the lake during the entire movie so far. She tells them that the Spirit of the Forest sent them the leaf as a sign that they're welcome visitors.
Later, Sam takes a hike in the woods by herself. She stops in a clearing that looks quite a bit like Stephen King's Pet Sematary, and sits in the middle of the formation of rocks. Kate finds her, and they talk about death, life after death, souls...you know, a light chat. Then they leave to find their friends out on the lake.
Franklin finds a huge spear, and Sam jokes that she'll use it to keep them all in line. Dominik asks Sam why there aren't any other vacationers on the lake, and she tells him that most of the neighbors are either elderly or short-timers, and are seldom seen. Then a boat is seen approaching the group, and Sam gets pretty excited.
The visitor is Jesse, a young local guy Sam grew up with. He's also the mysterious stranger Kate saw briefly at the gas pump in town. Jesse is introduced to Sam's friends, then makes some weird comment about Orion and starting a fire. I left my decoder ring at home, so it's all gibberish to me.
Not to Sam, though. She explains that Jesse was talking about a bonfire, some tradition he does every year. Then she holds up a frame, where she proudly displayed her leaf. Yippee. Unless the leaf undergoes a grotesque mutation and starts killing folks, I don't care.
After the sun sets, Dominik and Melanie are smoking and staring up at the star-filled sky. They hear something splash in the lake near them, and decide that it might be a good idea to rejoin the others around the campfire. That's where Franklin is preparing to tell the group of buddies a scary story. Unfortunately, the story is just a rehash of the movie When a Stranger Calls, and they all start laughing.
After some encouragement by Jesse, Sam tells her friends about a local legend. She warns them, though, that the story comes with an "adventure"...so, if they hear the tale, they have to go on the adventure as well. After her friends all agree to her terms, Sam tells the story.
There was a local man, and his family owned most of the land in the area. When he met a girl and fell in love, the man built a small house in the woods, and it just so happened to be the same weird house that Kate spotted during the drive. Anyway, the couple soon had 2 children, a boy and a girl.
While the couple cherished their daughter, the son was another matter. Even at a very young age, the couple could see that he wasn't exactly sane. His father turned to their wealthy relatives for help, and the boy was sent away to an asylum in the South, far enough away to avoid a scandal.
Eventually, the family tried to act as if they'd never had a son. When the boy was in his mid-teens, he managed to break out of the hospital(which is what we were shown in the opening scene of the movie. The authorities tried to find him, but they failed. After several weeks, the family assumes that the teen died in the woods, while attempting to reach them.
Then, one night, he manages to get to the family home. As we saw at the beginning, he murdered his entire family and then vanished into the woods. Since that time, every year people go missing in the woods, and the killer supposedly leaves a doll made out of corn husks in their place. As Sam's friends recall seeing those dolls at most of the local houses they drove past, she tells them that locals display them to ward off the killer. Jesse also mentions that he and some friends once tried to look for the crazed killer in the woods.
Sam wraps up the legend by claiming that the ghosts of the murdered family still haunt their empty house. She claims that if you visit the house at night, you can hear a re-enactment of the enter bloodbath. Then Jesse scares the group by jumping into the lake with a loud splash. Sam soon follows. Her friends comment on the creepy story, then join her in the lake.
Afterwards, Jesse apologizes to Kate for frightening her at the gas station. He confesses that he was dumbstruck by how pretty she is, and they make googly eyes at each other. Sam watches them, then hears Franklin and Dominik say how much they enjoy being in such a beautiful place.
Later that night, something is seen moving around in the forest at a rapid pace. Sam goes out to the haunted house during the night, and walks through each room. As she stops in one of the upstairs bedrooms, the killer looms behind her and says, "Dark sleep." Sam wakes up with a start, revealing that it was just a dream.
She gets out of bed, and Dominik follows. He asks her if she's having "the dream" again, and she denies it, even though we know otherwise. She tells Dom that she misses her father, and he consoles her by telling her that her friends are her family now. Awwwwww, how sweet. Now, when does the killing start? Oh, and when they return to bed, a bearded figure can be seen lurking at the window, watching them sleep.
The next morning, we start the day at another house, where a dog is barking loud enough to wake up people in the next state. It turns out to be the home of the squinty, rat-faced guy from the convenience store. As he tries to calm his dog down, a figure runs past him, and he turns to see who it was. When nobody appears, he starts to head back into the house, but the hillbilly from the previous scene is already inside, blocking his front door. There's a loud scream, but all we see is a shot of some trees.
Meanwhile, back at Sam's lake, Sam wakes up early and decides to go for a run. When she pauses, a sound alerts her to an unseen presence, so Sam quickly darts off the path and into the woods. As she listens for any further signs of a stalker, Jesse pops up and tells Sam that she's losing her natural instincts. They chat, mostly about how city life differs from the country, then Jesse leads her back to the house.
On the porch, Jesse asks Sam to tell him about her friends. She compares the group to a family, in that all are alone in the world, except for having each other. After hearing about their various traumatic pasts, Jesse jokingly tells Sam that she fits right in with the group. They grin, then decide to wake the others.
Apparently nothing happened that day, because the movie brings us forward to that evening. Sam and Jesse are preparing the group to go visit the spoooooooky oooooooooooold house. When they ask her for specifics, Sam responds by leaving to prepare dinner. They should've called this movie Pointless Filler, because that's more or less what it's been so far.
After dinner, Jesse and Kate take a walk down to the dock to look at stars. Yeah, RIIIIIIIGHT. I hope one of those stars wears protection. Oops....they were serious. Jesse is just pointing out constellations to Kate. Wow. This thing can't even pull off a makeout scene right.
On the porch, Sam seems to be a bit jealous of Kate. When her other friends start to tease her a little, Sam decides that it's time to begin the "adventure" that she promised them. She yells at Jesse to get moving, and everyone piles into the car. Wow, something might actually happen!
When Sam stops the car at the run-down house, her friends act surprised that she brought them there. Uh, where did you morons think you were going, Disney World? Everyone gets out of the car except Melanie. I have to be honest here, I pretty much forgot that she was in the film--in every scene so far, she's been pretty much stuck in the background. Melanie's this movie's equivalent of Jonathan from the show Buffy....sure, he's in a lot of episodes, but he rarely had any relevance to the plotline. That's Melanie, in a nutshell.
So wait, was I still watching this thing? Damn! Okay, so everyone's bitching and moaning about how dark it is, the condition of the exterior of the house, blah blah blah. Well, except for Melanie. When the rest step across the threshold and enter the house, Franklin is the next one to chicken out, opting to remain downstairs as the others head upstairs to see where the murders occurred. Heck, even Dominik is chickenshit, staying at the front door.
Apparently deciding that her friends are big babies, Kate heads up the stairs to see where Jesse went. He creeps up behind her and gives her a fright, but she reassures her friends that nothing happened. Then Jesse tells her to check out one of the bedrooms, telling her how weird it is. Outside, Melanie's still pouting in the car, and something or someone approaches the vehicle in a very stealthy manner.
Just as the group is about to call it a (boring!) night, Jesse uncovers a hole above the fireplace, and they all hear an object fall into the hearth. After some squabbling, Franklin is the one to reach into the fireplace and poke around in the dark to find the object, and Jesse scares him in the least scary way possible. Come on guys....I've seen episodes of "Scooby-Doo" with more terror than this. Anyway, Franklin reaches in again, and finds a book.
A book?
Yup. A book. *sigh*
Before they can even open it, there's a floorboard that creaks upstairs. That's followed by a loud bang, then more creaking, and another bang. Then a scream. Freaked out, they all run for the front door. They scare Melanie by jogging to the car, and Sam floors it, sending the car sailing away from the house.
As everyone else starts shouting at each other, Sam and Jesse laugh their heads off in the front seat. Then Franklin reveals that he brought the book out of the house. Oh, and one of the corn husk dolls is found attached to the car when they get back to the lake house. No one will admit to putting IT there, and they all go back inside the house.
Melanie asks what scared them so badly, and no one really bothers to explain it to her. They ask Sam if she ever experienced anything like it, and she replies that she's heards and seen stuff, but never that intense. Then Dominik turns their attention back to the book.
It's a diary. To be more specific, it's the diary of the kid who killed his family. The first entry, from 1959, is a bunch of rambling about how he felt he had to kill his family, because they abandoned him. He writes that he lives in the woods, because the animals speak to him, and because he can still hear his family screaming in the house at night. The next entry is from December of that year, and details how he believes that the ghosts in the house welcome him now.
The next entry, dated 6 years later, explains how he decided to go to the neighboring town to try to start a new life. No one recognized him, and some even told his legend to him, unaware that he was the subject of the story. He claims that his dead parents are proud of him.
The next several entries detail how, over the next decade, he managed to get employed as a mechanic, bought a cottage on the lake, and fell in love with a wealthy girl. As Dominik is about to read the next entry, dated 1976, a loud thump makes everyone jump. Jesse and Sam take a look outside, then Sam suggests that it might be a good time to put the book down. Jesse disagrees, and encourages Dom to keep reading, while Jesse goes outside to look around the property.
Dom picks up where he left off, in July of 1976. The killer writes that he and the wife have had twins. She was forced to have them in the cottage, so she suffered from a setback, healthwise. The final entry is from 1995. The killer claims that his children are exactly like him. He writes that the kids bring friends up to the house in the woods, for the express purpose of hunting and killing humans. Oh, and the kids are named Sam and Jesse.
Oh. Shit.
As soon as Dominik reads that part, the lights go out. The rocking chair that Sam was in is now empty, but still rocking. As Sam's friends begin to panic, they hear her let out a loud shriek. They unlucky quartet of friends try to remain calm, but then Jesse and Sam emerge from the shadows, and they look pretty pissed.
As the other 3 run to the exit, Sam tackles Dom to the ground. Outside, Jesse watches the others run into the forest, then approaches the house to watch Sam kill Dominik. Dom begs her not to hurt him, but she leans in close and whispers that she wants him in the house forever, in "dark sleep". Then she stabs him many, many times.
Melanie, Franklin and Kate hear Dominik being killed, and freeze in their tracks. Then Kate takes off in one direction, while Franklin and Melanie go the opposite way. On the porch of the house, Sam finds Jesse still standing there, and he tells her that there's some other presence nearby, another predator. When he tells Sam that he believes it's their lovable ol' crazy dad, she slaps Jesse and tells him that she watched their father die. Then they agree to focus on killing her friends, close their eyes, and use their other keen senses to hone in on their preys' locations.
Melanie trips and falls, and Franklin tries to get her back up. Sam stops at the edge of the property, and tries to target them again, then starts jogging. Kate is running at a pretty good clip herself, but Jesse seems to be catching up pretty well. As she stops to catch her breath, Kate does something only a complete bonehead would do: she stands still, and screams "Franklin!" over and over again. Gee, why not just erect a neon billboard that says I'M HERE IF ANYONE WANTS TO KILL ME!
Franklin and Melanie find another house in the woods, but disagree as to whether or not they should try to seek help from the residents. Franklin looks for keys to the pickup in the driveway, but no such luck. Then he tries knocking a few times on the door, but no one in the house responds. He finds the front door unlocked, and both he and Melanie enter the dark, quiet house.
Still running, and now getting disoriented, Kate is hopelessly lost.
I guess the camera crew are rooting against Kate, because they head back to the creepy empty house again. Franklin and Melanie start to search for weapons, and Franklin finds a phone, but it's dead. Then Franklin finds a photo of Sam and Jesse with their father, and he tries to convince Melanie to leave as soon as possible. And that's when they begin hearing someone thumping around on the roof. Whoops!
They try to make a mad dash for the van in the driveway, but it won't start. It turns out that vehicles need actual working engines to run, and this one lacks that very thing. Gosh, I learn something new every day. They resume running in the woods, and are followed close behind by Jesse.
As Melanie starts to get winded for the thousandth time, Franklin tries valiantly to save her life. He tells her that he'll stay behind to fight the murderous siblings, if she promises to use the time to get somewhere safe. He braces himself to take down Sam, who is sprinting toward him like the frigging Road Runner, while Melanie pretty much just stands behind him and watches as Jesse tackles him from the side. Melanie finally gets going, after helpfully waiting for Sam to catch up. If there's a slasher flick with characters dumber than this group, I'd love to hear about it, folks.
Franklin gets his knife taken away by Jesse, who picks up a branch-spear. As Franklin manages to get back on his feet and resume his escape attempt, Jesse flings the spear. It lands right in the middle of Franklin's back, and he almost falls to the ground. As he struggles to reach around and try to remove the weapon, Franklin is jumped by Jesse, who forces the spear to emerge through his chest. Poor Franklin....but hey, there's a bright spot! I was wrong about him dying first! Both Jesse and Sam stare at each other, as they each stand over the bodies of the dumbasses they just killed. Wait, so even Melanie's death scene was a part of the background. Damn...I guess someone involved in the film's production must have REALLY hated Melanie!
As they stroll in the forest, not rushing to find and kill Kate, they argue over whether or not their father is actually still alive. Jesse thinks that he senses the old man's presence, but Sam scoffs at the idea. She reminds him that they agreed to kill their father because they felt he was too old and feeble to hunt anymore. To put the discussion to rest, Sam tells Jesse that she will take care of him, just like always.
She also offers to kill Kate, but Jesse tells her that he prefers to do it himself. He takes off into the forest before she can disagree, and Sam is left with the bodies of her dead friends. After a brief sequence showing Kate tripping and hurting her arm, the movie shows Sam waiting for Jesse in her home. She sees a dream catcher in the living room, and distinctly remembers chaining it to the shack where she and Jesse ditched their father's body. Sam leaves the house, and runs into the woods.
Jesse and Kate play an extended game of Hide and Seek, and it feels like it lasts for weeks, or even months. Kate finds her way to what I think is the "haunted" house. As Kate tries to blend into the shadows, Jesse yells that he won't hurt her. Then he takes off running again, and Kate cries, as she realizes how hopeless her situation seems to be.
No big surprise, Jesse pops up as Kate slowly creeps toward the wide-open front door. She hits him in the face, and he makes no move to retaliate. He grabs her, then tells her that he won't harm her, as long as she lets him speak first. At about the same time, Sam shows up outside the house.
Inside, Jesse tells Kate that he has feelings for her, and has known that since the day at the gas pump. He claims that he wants to live with her and provide her with everything she could ever need or want. Then Sam interrupts the lovesick kook, and calls him pathetic. Then they look up.
The ceiling is covered in corn husk dolls. Sam tosses the dreamcatcher that she found over to Jesse, and tells him that their father is, indeed, still among the living. She tells Jesse to finish off Kate, so they can hunt down and kill their father without any distractions. Jesse agrees, and tells Kate that they can be together in death, then Daddy reaches out from a dark corner and grabs Jesse.
When they vanish into the dark, Sam gets nervous. She and Kate hear a struggle in the next room, then Jesse is flung out of the room at the 2 frightened women. Jesse stands up and tries to go back into the room to colntinue the fight, but Sam convinces him to join her outside, believing that the forest gives them a strategic advantage. Before leaving the house, Jesse promises to return for Kate. Yeah, she looks thrilled. She briefly locks eyes with the crazy father, who makes no move to harm her, he just stares. Then he exits the house to confront his children.
Outside, Jesse listens as Sam tries to come up with a strategy to ambush their dad. When he exits the house though, Jesse charges at him through a field of tall grass. Kate, meanwhile, slinks out of the house and tries to creep away. The second she gets away from the yard, Kate breaks into a run.
In the woods, Sam stops running and listens for any sign of her father. She sees another husk doll, then spots the silhouette of her hulking dad in the distance. She decides to run the other way, and her father chases her. Then it's suddenly full daylight, and Sam is in the mikddle of another field of tall grass, and perhaps some cornstalks. Her father slowly makes his way to her, then Jesse tackles the old man, and they both disappear from view.
Someone screams, and then Jesse stands up. As he staggers toward Sam, Jesse shows her a big wound he received in the gut. He keels over, Sam sees her father spring up lightning-fast. She sprints in his direction, and launches herself at the old man, and they both roll around on the forest ground. Both manage to arm themselves with sharp weapons, and they brawl until they both end up on the ground again.
They stab each other at the same time, but Sam tells her father that he taught her well, and she delivers a death-blow. After he appears to die, Sam gives in to her wound, and lies down next to him.
Kate, in the meantime, has found the storekeeper's home. She finds his body and retches into his kitchen sink, then comes face-to-face with Sam, who is standing right outside the kitchen window. Sam dangles the keys to the dead man's vehicle, and Kate swiftly moves to close and lock the front door.
Kate escapes to the back porch, and almost collides with Sam. They both run to the dock, where Kate grabs an oar, and slams it against Sam's head. sam's body slowl.y submerges, and Kate sees her car keys float to the surface. She takes so long grabbing them, I briefly considered that perhaps Sam would emerge from the lake, Jason-style. But no, Kate gets the keys, gets to Sam's vehicle, and gets it started. As she drives away from Sam's Lake, Kate sees another dreamcatcher on the rearview mirror, tears it off, and throws it out of the car.
There are different shots of the lake and the surrounding forest, then a rather ominous shot of the area where Sam was last seen sinking. There's a closeup of Kate, and I fully expected Sam or somebody to leap at her from somewhere, but it doesn't happen. The movie shows the car driving past the cabin, and then it just fades to black. THE END
Wow. That was really boring. I mean, for a movie that had, what, 10 murders in it, it was incredibly dull. Crazy. I give it 1-and-a-half killer trees out of five, mostly because of the attractive cast. But that still feels pretty generous. Okay, okay, so what did I learn after watching Sam's Lake?
-Uhhhh...
-Ummmm..
-Errrrrr...
Yeah, I got nothing this week. Thankfully, my next movie is Urban Legends: Final Cut, so I'm pretty sure it'll be more fun to sit through than this one was. See ya!
The movie begins with a young man breaking out of a mental hospital. That's a promising start. He travels by foot, until he arrives at a house, where he proceeds to break in and slaughter the woman who lives there. We don't see the murder, though...we just hear her scream as an outside view of the house is shown. Great.
Then the movie brings us to a clothing boutique. A group of twentysomethings are having a conversation whose sole purpose is to tell the audience what's going on. The gist is that Sam, the cute redhead in the title, has just been given a lake house after her father died in a weird hunting accident. Her friends are Franklin, the movie's black guy(so, if this follows slasher rules, he won't last long); Dominik, an effeminate Latino; Sam's cute Asian friend, Kate; and Melanie, an attractive blond.
They stop at a local general store as they get close to the lake, where they get scrutinized by a squinty, weird guy behind the register. Out by the gas pump, Kate is freaked out by 2 old coots staring at her, then a mysterious guy who looks like he pump;s gas, but vanishes when she turns away for a moment. Wow. Scary. Yay.
So, they finally get on the road again, and Kate spots a creepy-looking house out in the middle of nowhere. A figure inside the house moves, and Kate seems to have noticed, because she cranes her neck to look at it, even after the car has passed it by. Then Sam calls everyone's attention to a sign on a tree: SAM'S LAKE. Hey, I think there's a movie with that title!! Anyway, Sam claims her dad named the lake after her.
As everyone takes in the amazing view, Sam picks a leaf out of the water that's pretty much been floating down the lake during the entire movie so far. She tells them that the Spirit of the Forest sent them the leaf as a sign that they're welcome visitors.
Later, Sam takes a hike in the woods by herself. She stops in a clearing that looks quite a bit like Stephen King's Pet Sematary, and sits in the middle of the formation of rocks. Kate finds her, and they talk about death, life after death, souls...you know, a light chat. Then they leave to find their friends out on the lake.
Franklin finds a huge spear, and Sam jokes that she'll use it to keep them all in line. Dominik asks Sam why there aren't any other vacationers on the lake, and she tells him that most of the neighbors are either elderly or short-timers, and are seldom seen. Then a boat is seen approaching the group, and Sam gets pretty excited.
The visitor is Jesse, a young local guy Sam grew up with. He's also the mysterious stranger Kate saw briefly at the gas pump in town. Jesse is introduced to Sam's friends, then makes some weird comment about Orion and starting a fire. I left my decoder ring at home, so it's all gibberish to me.
Not to Sam, though. She explains that Jesse was talking about a bonfire, some tradition he does every year. Then she holds up a frame, where she proudly displayed her leaf. Yippee. Unless the leaf undergoes a grotesque mutation and starts killing folks, I don't care.
After the sun sets, Dominik and Melanie are smoking and staring up at the star-filled sky. They hear something splash in the lake near them, and decide that it might be a good idea to rejoin the others around the campfire. That's where Franklin is preparing to tell the group of buddies a scary story. Unfortunately, the story is just a rehash of the movie When a Stranger Calls, and they all start laughing.
After some encouragement by Jesse, Sam tells her friends about a local legend. She warns them, though, that the story comes with an "adventure"...so, if they hear the tale, they have to go on the adventure as well. After her friends all agree to her terms, Sam tells the story.
There was a local man, and his family owned most of the land in the area. When he met a girl and fell in love, the man built a small house in the woods, and it just so happened to be the same weird house that Kate spotted during the drive. Anyway, the couple soon had 2 children, a boy and a girl.
While the couple cherished their daughter, the son was another matter. Even at a very young age, the couple could see that he wasn't exactly sane. His father turned to their wealthy relatives for help, and the boy was sent away to an asylum in the South, far enough away to avoid a scandal.
Eventually, the family tried to act as if they'd never had a son. When the boy was in his mid-teens, he managed to break out of the hospital(which is what we were shown in the opening scene of the movie. The authorities tried to find him, but they failed. After several weeks, the family assumes that the teen died in the woods, while attempting to reach them.
Then, one night, he manages to get to the family home. As we saw at the beginning, he murdered his entire family and then vanished into the woods. Since that time, every year people go missing in the woods, and the killer supposedly leaves a doll made out of corn husks in their place. As Sam's friends recall seeing those dolls at most of the local houses they drove past, she tells them that locals display them to ward off the killer. Jesse also mentions that he and some friends once tried to look for the crazed killer in the woods.
Sam wraps up the legend by claiming that the ghosts of the murdered family still haunt their empty house. She claims that if you visit the house at night, you can hear a re-enactment of the enter bloodbath. Then Jesse scares the group by jumping into the lake with a loud splash. Sam soon follows. Her friends comment on the creepy story, then join her in the lake.
Afterwards, Jesse apologizes to Kate for frightening her at the gas station. He confesses that he was dumbstruck by how pretty she is, and they make googly eyes at each other. Sam watches them, then hears Franklin and Dominik say how much they enjoy being in such a beautiful place.
Later that night, something is seen moving around in the forest at a rapid pace. Sam goes out to the haunted house during the night, and walks through each room. As she stops in one of the upstairs bedrooms, the killer looms behind her and says, "Dark sleep." Sam wakes up with a start, revealing that it was just a dream.
She gets out of bed, and Dominik follows. He asks her if she's having "the dream" again, and she denies it, even though we know otherwise. She tells Dom that she misses her father, and he consoles her by telling her that her friends are her family now. Awwwwww, how sweet. Now, when does the killing start? Oh, and when they return to bed, a bearded figure can be seen lurking at the window, watching them sleep.
The next morning, we start the day at another house, where a dog is barking loud enough to wake up people in the next state. It turns out to be the home of the squinty, rat-faced guy from the convenience store. As he tries to calm his dog down, a figure runs past him, and he turns to see who it was. When nobody appears, he starts to head back into the house, but the hillbilly from the previous scene is already inside, blocking his front door. There's a loud scream, but all we see is a shot of some trees.
Meanwhile, back at Sam's lake, Sam wakes up early and decides to go for a run. When she pauses, a sound alerts her to an unseen presence, so Sam quickly darts off the path and into the woods. As she listens for any further signs of a stalker, Jesse pops up and tells Sam that she's losing her natural instincts. They chat, mostly about how city life differs from the country, then Jesse leads her back to the house.
On the porch, Jesse asks Sam to tell him about her friends. She compares the group to a family, in that all are alone in the world, except for having each other. After hearing about their various traumatic pasts, Jesse jokingly tells Sam that she fits right in with the group. They grin, then decide to wake the others.
Apparently nothing happened that day, because the movie brings us forward to that evening. Sam and Jesse are preparing the group to go visit the spoooooooky oooooooooooold house. When they ask her for specifics, Sam responds by leaving to prepare dinner. They should've called this movie Pointless Filler, because that's more or less what it's been so far.
After dinner, Jesse and Kate take a walk down to the dock to look at stars. Yeah, RIIIIIIIGHT. I hope one of those stars wears protection. Oops....they were serious. Jesse is just pointing out constellations to Kate. Wow. This thing can't even pull off a makeout scene right.
On the porch, Sam seems to be a bit jealous of Kate. When her other friends start to tease her a little, Sam decides that it's time to begin the "adventure" that she promised them. She yells at Jesse to get moving, and everyone piles into the car. Wow, something might actually happen!
When Sam stops the car at the run-down house, her friends act surprised that she brought them there. Uh, where did you morons think you were going, Disney World? Everyone gets out of the car except Melanie. I have to be honest here, I pretty much forgot that she was in the film--in every scene so far, she's been pretty much stuck in the background. Melanie's this movie's equivalent of Jonathan from the show Buffy....sure, he's in a lot of episodes, but he rarely had any relevance to the plotline. That's Melanie, in a nutshell.
So wait, was I still watching this thing? Damn! Okay, so everyone's bitching and moaning about how dark it is, the condition of the exterior of the house, blah blah blah. Well, except for Melanie. When the rest step across the threshold and enter the house, Franklin is the next one to chicken out, opting to remain downstairs as the others head upstairs to see where the murders occurred. Heck, even Dominik is chickenshit, staying at the front door.
Apparently deciding that her friends are big babies, Kate heads up the stairs to see where Jesse went. He creeps up behind her and gives her a fright, but she reassures her friends that nothing happened. Then Jesse tells her to check out one of the bedrooms, telling her how weird it is. Outside, Melanie's still pouting in the car, and something or someone approaches the vehicle in a very stealthy manner.
Just as the group is about to call it a (boring!) night, Jesse uncovers a hole above the fireplace, and they all hear an object fall into the hearth. After some squabbling, Franklin is the one to reach into the fireplace and poke around in the dark to find the object, and Jesse scares him in the least scary way possible. Come on guys....I've seen episodes of "Scooby-Doo" with more terror than this. Anyway, Franklin reaches in again, and finds a book.
A book?
Yup. A book. *sigh*
Before they can even open it, there's a floorboard that creaks upstairs. That's followed by a loud bang, then more creaking, and another bang. Then a scream. Freaked out, they all run for the front door. They scare Melanie by jogging to the car, and Sam floors it, sending the car sailing away from the house.
As everyone else starts shouting at each other, Sam and Jesse laugh their heads off in the front seat. Then Franklin reveals that he brought the book out of the house. Oh, and one of the corn husk dolls is found attached to the car when they get back to the lake house. No one will admit to putting IT there, and they all go back inside the house.
Melanie asks what scared them so badly, and no one really bothers to explain it to her. They ask Sam if she ever experienced anything like it, and she replies that she's heards and seen stuff, but never that intense. Then Dominik turns their attention back to the book.
It's a diary. To be more specific, it's the diary of the kid who killed his family. The first entry, from 1959, is a bunch of rambling about how he felt he had to kill his family, because they abandoned him. He writes that he lives in the woods, because the animals speak to him, and because he can still hear his family screaming in the house at night. The next entry is from December of that year, and details how he believes that the ghosts in the house welcome him now.
The next entry, dated 6 years later, explains how he decided to go to the neighboring town to try to start a new life. No one recognized him, and some even told his legend to him, unaware that he was the subject of the story. He claims that his dead parents are proud of him.
The next several entries detail how, over the next decade, he managed to get employed as a mechanic, bought a cottage on the lake, and fell in love with a wealthy girl. As Dominik is about to read the next entry, dated 1976, a loud thump makes everyone jump. Jesse and Sam take a look outside, then Sam suggests that it might be a good time to put the book down. Jesse disagrees, and encourages Dom to keep reading, while Jesse goes outside to look around the property.
Dom picks up where he left off, in July of 1976. The killer writes that he and the wife have had twins. She was forced to have them in the cottage, so she suffered from a setback, healthwise. The final entry is from 1995. The killer claims that his children are exactly like him. He writes that the kids bring friends up to the house in the woods, for the express purpose of hunting and killing humans. Oh, and the kids are named Sam and Jesse.
Oh. Shit.
As soon as Dominik reads that part, the lights go out. The rocking chair that Sam was in is now empty, but still rocking. As Sam's friends begin to panic, they hear her let out a loud shriek. They unlucky quartet of friends try to remain calm, but then Jesse and Sam emerge from the shadows, and they look pretty pissed.
As the other 3 run to the exit, Sam tackles Dom to the ground. Outside, Jesse watches the others run into the forest, then approaches the house to watch Sam kill Dominik. Dom begs her not to hurt him, but she leans in close and whispers that she wants him in the house forever, in "dark sleep". Then she stabs him many, many times.
Melanie, Franklin and Kate hear Dominik being killed, and freeze in their tracks. Then Kate takes off in one direction, while Franklin and Melanie go the opposite way. On the porch of the house, Sam finds Jesse still standing there, and he tells her that there's some other presence nearby, another predator. When he tells Sam that he believes it's their lovable ol' crazy dad, she slaps Jesse and tells him that she watched their father die. Then they agree to focus on killing her friends, close their eyes, and use their other keen senses to hone in on their preys' locations.
Melanie trips and falls, and Franklin tries to get her back up. Sam stops at the edge of the property, and tries to target them again, then starts jogging. Kate is running at a pretty good clip herself, but Jesse seems to be catching up pretty well. As she stops to catch her breath, Kate does something only a complete bonehead would do: she stands still, and screams "Franklin!" over and over again. Gee, why not just erect a neon billboard that says I'M HERE IF ANYONE WANTS TO KILL ME!
Franklin and Melanie find another house in the woods, but disagree as to whether or not they should try to seek help from the residents. Franklin looks for keys to the pickup in the driveway, but no such luck. Then he tries knocking a few times on the door, but no one in the house responds. He finds the front door unlocked, and both he and Melanie enter the dark, quiet house.
Still running, and now getting disoriented, Kate is hopelessly lost.
I guess the camera crew are rooting against Kate, because they head back to the creepy empty house again. Franklin and Melanie start to search for weapons, and Franklin finds a phone, but it's dead. Then Franklin finds a photo of Sam and Jesse with their father, and he tries to convince Melanie to leave as soon as possible. And that's when they begin hearing someone thumping around on the roof. Whoops!
They try to make a mad dash for the van in the driveway, but it won't start. It turns out that vehicles need actual working engines to run, and this one lacks that very thing. Gosh, I learn something new every day. They resume running in the woods, and are followed close behind by Jesse.
As Melanie starts to get winded for the thousandth time, Franklin tries valiantly to save her life. He tells her that he'll stay behind to fight the murderous siblings, if she promises to use the time to get somewhere safe. He braces himself to take down Sam, who is sprinting toward him like the frigging Road Runner, while Melanie pretty much just stands behind him and watches as Jesse tackles him from the side. Melanie finally gets going, after helpfully waiting for Sam to catch up. If there's a slasher flick with characters dumber than this group, I'd love to hear about it, folks.
Franklin gets his knife taken away by Jesse, who picks up a branch-spear. As Franklin manages to get back on his feet and resume his escape attempt, Jesse flings the spear. It lands right in the middle of Franklin's back, and he almost falls to the ground. As he struggles to reach around and try to remove the weapon, Franklin is jumped by Jesse, who forces the spear to emerge through his chest. Poor Franklin....but hey, there's a bright spot! I was wrong about him dying first! Both Jesse and Sam stare at each other, as they each stand over the bodies of the dumbasses they just killed. Wait, so even Melanie's death scene was a part of the background. Damn...I guess someone involved in the film's production must have REALLY hated Melanie!
As they stroll in the forest, not rushing to find and kill Kate, they argue over whether or not their father is actually still alive. Jesse thinks that he senses the old man's presence, but Sam scoffs at the idea. She reminds him that they agreed to kill their father because they felt he was too old and feeble to hunt anymore. To put the discussion to rest, Sam tells Jesse that she will take care of him, just like always.
She also offers to kill Kate, but Jesse tells her that he prefers to do it himself. He takes off into the forest before she can disagree, and Sam is left with the bodies of her dead friends. After a brief sequence showing Kate tripping and hurting her arm, the movie shows Sam waiting for Jesse in her home. She sees a dream catcher in the living room, and distinctly remembers chaining it to the shack where she and Jesse ditched their father's body. Sam leaves the house, and runs into the woods.
Jesse and Kate play an extended game of Hide and Seek, and it feels like it lasts for weeks, or even months. Kate finds her way to what I think is the "haunted" house. As Kate tries to blend into the shadows, Jesse yells that he won't hurt her. Then he takes off running again, and Kate cries, as she realizes how hopeless her situation seems to be.
No big surprise, Jesse pops up as Kate slowly creeps toward the wide-open front door. She hits him in the face, and he makes no move to retaliate. He grabs her, then tells her that he won't harm her, as long as she lets him speak first. At about the same time, Sam shows up outside the house.
Inside, Jesse tells Kate that he has feelings for her, and has known that since the day at the gas pump. He claims that he wants to live with her and provide her with everything she could ever need or want. Then Sam interrupts the lovesick kook, and calls him pathetic. Then they look up.
The ceiling is covered in corn husk dolls. Sam tosses the dreamcatcher that she found over to Jesse, and tells him that their father is, indeed, still among the living. She tells Jesse to finish off Kate, so they can hunt down and kill their father without any distractions. Jesse agrees, and tells Kate that they can be together in death, then Daddy reaches out from a dark corner and grabs Jesse.
When they vanish into the dark, Sam gets nervous. She and Kate hear a struggle in the next room, then Jesse is flung out of the room at the 2 frightened women. Jesse stands up and tries to go back into the room to colntinue the fight, but Sam convinces him to join her outside, believing that the forest gives them a strategic advantage. Before leaving the house, Jesse promises to return for Kate. Yeah, she looks thrilled. She briefly locks eyes with the crazy father, who makes no move to harm her, he just stares. Then he exits the house to confront his children.
Outside, Jesse listens as Sam tries to come up with a strategy to ambush their dad. When he exits the house though, Jesse charges at him through a field of tall grass. Kate, meanwhile, slinks out of the house and tries to creep away. The second she gets away from the yard, Kate breaks into a run.
In the woods, Sam stops running and listens for any sign of her father. She sees another husk doll, then spots the silhouette of her hulking dad in the distance. She decides to run the other way, and her father chases her. Then it's suddenly full daylight, and Sam is in the mikddle of another field of tall grass, and perhaps some cornstalks. Her father slowly makes his way to her, then Jesse tackles the old man, and they both disappear from view.
Someone screams, and then Jesse stands up. As he staggers toward Sam, Jesse shows her a big wound he received in the gut. He keels over, Sam sees her father spring up lightning-fast. She sprints in his direction, and launches herself at the old man, and they both roll around on the forest ground. Both manage to arm themselves with sharp weapons, and they brawl until they both end up on the ground again.
They stab each other at the same time, but Sam tells her father that he taught her well, and she delivers a death-blow. After he appears to die, Sam gives in to her wound, and lies down next to him.
Kate, in the meantime, has found the storekeeper's home. She finds his body and retches into his kitchen sink, then comes face-to-face with Sam, who is standing right outside the kitchen window. Sam dangles the keys to the dead man's vehicle, and Kate swiftly moves to close and lock the front door.
Kate escapes to the back porch, and almost collides with Sam. They both run to the dock, where Kate grabs an oar, and slams it against Sam's head. sam's body slowl.y submerges, and Kate sees her car keys float to the surface. She takes so long grabbing them, I briefly considered that perhaps Sam would emerge from the lake, Jason-style. But no, Kate gets the keys, gets to Sam's vehicle, and gets it started. As she drives away from Sam's Lake, Kate sees another dreamcatcher on the rearview mirror, tears it off, and throws it out of the car.
There are different shots of the lake and the surrounding forest, then a rather ominous shot of the area where Sam was last seen sinking. There's a closeup of Kate, and I fully expected Sam or somebody to leap at her from somewhere, but it doesn't happen. The movie shows the car driving past the cabin, and then it just fades to black. THE END
Wow. That was really boring. I mean, for a movie that had, what, 10 murders in it, it was incredibly dull. Crazy. I give it 1-and-a-half killer trees out of five, mostly because of the attractive cast. But that still feels pretty generous. Okay, okay, so what did I learn after watching Sam's Lake?
-Uhhhh...
-Ummmm..
-Errrrrr...
Yeah, I got nothing this week. Thankfully, my next movie is Urban Legends: Final Cut, so I'm pretty sure it'll be more fun to sit through than this one was. See ya!
Monday, August 15, 2011
Club Dread
Well, Tourist Trap had a nervous breakdown in my laptop, so I'm going with the other slasher flick Netflix mailed out this week, Club Dread. Maybe a working copy of Tourist Trap will get to me, but I'm not going to hold my breath--heck, one of the reviewers on Netflix claimed that they sent him 3 bad discs! How does that happen 3 times in a row? But it doesn't matter. So sit back, relax, and drink a pina colada while I SPOIL the crap out of Club Dread!
The movie takes place in Costa Rica, on the oddly-named Pleasure Island. There's a lot of screaming as the camera gets closer, but it's a couple looking for a secluded make-out spot. Rolo, the male, is busy mocking Putman. one of the resort's employees, while his girlfriend, Stacy, takes off her top. I like this one already...
Rolo shows Stacy a bag of weed(which he calls Costa Rica Freaka), and lights up. As the pair start making out, Stacy sees an ominous figure wandering nearby. Rolo just wants her to twiddle his nipples(I shit you not...), but he agrees to take Stacy to a different area that is even more secluded.
Rolo's more secluded area turns out to be a graveyard. Even Stacy has enough common sense to question the decency of what they're about to do, but her objections are halted by the reappearance of the wandering stalker from before. Before Stacy can stop him, Rolo decides to confront the guy. He grabs a heavy tree branch, walks up to the dark figure, and realizes that it's a tiki statue. Rolo knocks the head off, and is surprised by a tiny primate that leaps up from out of nowhere.
As the monkey wanders away, an attractive blonde pops up to scare the couple next. She's holding a tray of tropical drinks though, so I tend to doubt that she's a killer. The horny trio decide to duck into a mausoleum for their sexcapades. The interior looks lived in, with newspaper clippings, a machete, lanterns....seriously, these 3 are dumber than a sack of doorknobs if they stay. Hilariously, one of the girls finds a well-endowed idol, and tells Rolo that they no longer need him. The girls begin to kiss each other, and the chamber is plunged into complete, utter darkness.
They quickly get the door open, start to remove their clothes, and pleasure one another. The blonde hears the machete sliding over stone and sees a figure moving behind Rolo. As she and Stacy back away, an oblivious Rolo gets his shoulder severed by the sharp blade.
The girls run through the jungle screaming, and split up when there's a fork in the path. The blonde runs until she nearly falls over a cliff. She reaches behind her for a branch or rock to grab onto, and cuts a nasty cut when her fingers clench the killer's machete. She gasps at the pain, then slips over the cliff into the ocean. Hey, maybe she survived....but probably not.
Stacy hears her screams, and finds a footbridge that leads to the resort's pool. She sees a number of guests in the distance and relaxes slightly, giving the killer time to behead her. As her body falls to the ground and convulses, the titles zooms onto her dying torso. Cool.
Then the movie takes us back to, as the screen says, ONE HOUR EARLIER. A ship called Princess Yelapa is pulling up to Pleasure Island. The island and resort are owned by Coconut Pete(played by Bill Paxton), a sort of poor man's version of Jimmy Buffet. His musical claim to fame is a ditty called "Pina Coladaburg".
Anyway, this scene introduces us to our many, many victims. There's Jenny, the cute-as-Hell aerobics instructor; Juan, in charge of watersports(and probably the funniest character in the film; Putman, a prissy British tennis pro; Dave the Deejay(and drug supplier); Sam, the Fun Police; Yu, a pretty Asian employee; Kelly, a somewhat cute waitress; and Lars Brunckhorst, a portly Zen and massage expert who has been trying to tell the others that he's an employee, not a guest. Oh, and Penelope, a guest who Jenny finds wandering around lost in the jungle.
As the guests are enjoying free drinks by the pool, Stacy shows up, only to be murdered. Really? That short introduction and the drinks at the pool were a full 2 hours? Okay movie, if you say so. Anyway, there's a short, funny bit with 2 guys checking out all of the hot chicks by the pool. Through them, we learn that Jenny is a minor celebrity: she stars on an early-morning aerobics show, where an odd series of deaths helped her to get promoted. Hmmmm....
Lars shows up to meet Jenny and Penelope, and we learn just how good a masseuse he really is. He places his hands on their shoulders, and gives both women instant orgasms. Then Sam grabs Jenny for a "human Limbo" stick, and she asks Lars to meet up with her later. As everyone parties the day away, we get a final look at Stacy's corpse, not that far away.
That evening, the resort throws the mother of all parties. Coconut Pete meets Lars, who we discover is pretty obsessed with every aspect of Pete's life. Oh, and we meet yet another character: Hank, who is Pete's bodyguard. While he distracts Lars, Juan ushers Pete away to meet a female fan. After Juan feeds Pete some specific info about a concert she attended, Pete pretends to remember her from said concert. Smooth operator, that Coconut Pete.
Putman tries to woo Jenny, who looks pretty damn bored. Luckily, Putman is cock-blocked by a short, annoying loudmouth, giving Jenny time to slip away unnoticed. Then we get my favorite couple in the movie, Penelope and Juan. Sam hooks them up, and Juan introduces himself as a "dive master". Then he sees her name tag, and decides that it's pronounced "Pee-Nah-Lope". I love this friggin' movie...I don't know why, but I just do. Anyway, she tells him that she attends Oral Roberts, and he mistakes the college for a sexual position, like Dirty Sanchez.
The movie decides to go outside for a bit, where we catch up with a guy named Carlos taking a smoke break. He approaches an activity board, where a contest is prominently on display. The contest asks the guests to guess which Coconut Pete song a series of lyrics are from. The lyrics, which seem extremely ominous, are as follows:
"3 amigos took an undersea trip/And never were seen again"
Weird, huh?
So Carlos reads the board, then hears a strange noise. He chalks it up to monkeys, and does what every 1-scene victim does in every slasher flick--he takes a walk in the dark jungle, instead of staying in a well-lit, occupied, active area. As he crouches down on the ground next to some garbage cans, someone approaches from behind, holding a large butcher knife...
Oh, it's only Yu. She asks him when he's going to wash all of the dirty dishes and utensils, and Carlos promises to get to it all in the morning. Yu leaves, and Carlos starts to follow, but one of the trash bins begins to shake. As Carlos goes back to examine it, the killer looms behind him and kills Carlos off-screen.
Coconut Pete and Lars have both grabbed guitars, and they lead a group of partygoers in a singalong around a campfire. A drunk chick yells out a request for "Margaritaville", and proceeds to get Pete pretty pissed off. Pete tells her that his claim to fame was the song "Pina Coladaburg", but she keeps insisting that he play the Jimmy Buffet song instead. Pete goes off on a rant, claiming that his song was written and released more than 7 years before the other song was even conceived. As he starts swearing and mumbling, Hank shows up to escort Pete back to the resort.
Lars sees Jenny at the bar, and briefly touches her shoulder to get her attention, which causes her jaw muscles to loosen up. She drools her drink all over herself, and Lars apologizes, explaining that he thought she looked "tight". When she responds that she's tight in all the right places, Lars does a spit-take all over himself and her. He mentions her starring role on the aerobics show, and Jenny reveals that the gig will give her the income she needs to quit working at Pleasure Island. She picks up a tray of crab meat appetizers, does a sexy little shimmy, and walks away.
Back to the campfire. Dave has taken it upon himself to tell the guests a scary story about the island's very own urban legend, The Machete Maniac. According to Dave, a guy named Phil worked at the resort 15 years ago. One night, Phil was propositioned by an attractive woman, who asked him to go with her to a quiet, deserted spot on the island. The further away from the resort that they get, the woman asks Phil questions that get progressively stranger: Do you believe in voodoo? Do you believe in zombies?
Phil shrugs off the weird questions, and they start to have sex, but Phil gets a strange vibe. A flash of lightning reveals that Phil has been lured out to an ancient burial ground, that the other resort guests have been watching him, and that he's been having sex with a corpse that was dug up from one of the graves.
Anyway, Phil allegedly walked back to the resort, and made his way to the groundskeerper's shack. Once he was inside, Phil picked up a machete, then went back to find the staff members, and murdered them all. Then the legend states that Phil used the machete to cut off his own penis, before running into the jungle, where he supposedly still lurks. And thus, Machete Phil became a legend.
At the conclusion of the tale, Dave claims that Machete Phil can often be heard searching for his penis.(that part seems kind of stupid, given that he cut it off himself, but I guess I'll just go with it...) When Dave finishes the story, Putman stands up, drops his pants, and reveals that he tucked his penis between his legs, to give the group a quick scare and a cheap laugh. After the group leaves, Dave stands up, revealing that he wanted to be the one with the tucked-in penis.
Later that night, Coconut Pete meets up with the staff. He mentions that Rolo, Stacy and Kelly have vanished, and asks if anyone else can run the next evening's luau-themed party. Dave volunteers to do it, but Pete asks Sam to take care of it instead.
The next day, we get a montage of typical resort activities...cliff diving, tennis lessons, beach aerobics, and some kind of game that involves guys having balloons stuck to their butts, so that their female partners can pop them with their vaginae. Uhhh, wouldn't that be more fun the other way ar....never mind. I'll let that one go, too.
The final activity they show is a drinking game similar to Pac-Man. The players run through a maze, looking for bowls fill with tropical drinks, allowing them to chase bikini-clad women through the maze, and staff members dressed up in giant fruit costumes. The guy playing as Pac-Man grabs one of the girls, then sees Putman dressed as a banana, and tackles him to the ground.
Juan, dressed up as the pretzel is summoned to the maze, but is a no-show. Dave goes investigating, and finds Juan screwing a chick dressed as a watermelon. Dave tells him to get out to the maze, then shuts the door again. Lucky for Dave, a guy in a pear costume(and eating a pear...) shows up, so Dave tells him that he needs to go in the maze next.
The pear, who was on his break, isn't too happy to be in the maze. As he's trudging around, Machete Phil grabs the pineapple costume, and slips it on. The pear has a collision with one of the girls in the maze, then sees Machete Phil watching him. Pear also notices the machete, and realizes that the pineapple isn't an employee.
Pear walks in the other direction, but the killer gets ahead of him. Actually afraid now, Pear starts running through the maze. He comes to a dead end, and Machete Phil throws a pear at him, which Pear was seen eating before he entered the maze. The killer waits for Pear to turn around, then slices a deep gash into his stomach. The camera gives us an overhead view of the maze, which shows that Machete Phil and his victim are one wall away from the players, who remain oblivious to what has just transpired.
Near the beach, Jenny is taking a walk and watching someone who has gone para sailing. She hears something that sounds like a blade being unsheathed, and nearly gets her face sliced off by Lars, who is doing some martial arts exercises with a sword in each hand. They start chatting, only to be interrupted by a girl riding piggyback on a blindfolded guy. Lars briefly touches the nape of the girl's neck, and she passes out. The blindfolded guy is also briefly touched, and wets himself. Alone again, Lars makes Jenny orgasm again my touching her mouth. Then the person para sailing crashes down in front of them.
It turns out that the killer hooked Carlos up to the sail after killing him the previous night, and also carved NAUGHTY CARLOS onto his chest. As they ponder what it means, they watch the boat speed away from the island, unmanned.
Back in the maze, Juan tells Dave that he had never heard of Pac-Man in Nicaragua. Putman, dressed as a banana, interrupts their conversation, and they follow him to Pear's corpse, which is being examined by Fun Policeman Sam. His name turns out to be Cliff, which I deduced after seeing NAUGHTY CLIFF carved into his chest. As they wonder if he's dead, the loudspeaker plays the sound effect for when Pac-Man loses a life.
The employees and Pete have a meeting about the killings...right in front of the not-too-swift guests at the pool. Juan offers up the theory that the killer is Machete Phil, but the others shoot down the idea as ridiculous. Sam rushes over to announce that the killer has struck again....but not in the way you think.
The killer altered Sam's activity board, so that it now keeps track of which people have been murdered. Also, in the box where the "guess the song" contest had been, the killer has left them a message: DO YOUR JOBS AND LIVE. TELL THE GUESTS AND DIE. 'CAUSE EVERYBODY'S LOOKING TO FIND THEIR OWN PARADISE...
Frightened more than ever, they decide to evacuate the resort, and get themselves and the guests back to civilization. It's not as easy as it sounds though: Machete Phil has set the boats loose, stranding everyone at the resort. He also destroyed the phones and radio communication.
Coconut Pete holds another meeting, this time at the indoor bar/nightclub. He tells his staff that they have no choice but to pretend that nothing's wrong in front of the tourists, just as the message on the scoreboard implied. They all demand a better plan of action from Pete, but he defers to his bodyguard, Hank. Hank, it turns out, is actually a retired FBI agent, with a specialty in tracking down serial killers.
At first, no one wants to trust Hank, mostly because he has a history of heavy drinking and seems like a bumbling idiot under pressure. It turns out that it was all an act, meant to put people at ease around him. He tells them to continue acting as normal as possible around the guests, so that he can try to set a trap for the killer. He promises them that his expertise is the best weapon they have at the moment.
Later that night, the staff get several bonfires started on the beach, spelling out SOS. A pinata is also set up, so that Hank can watch how each person attacks the target, and also to see which guests are left-handed, as one of the stab wounds was made with the killer holding his machete in his left hand. As the guests party on the beach, Lars and Jenny search their rooms for any incriminating clues in regards to the identity of the killer. Lars tells Jenny that the lyrics on the activity board reminded him of something, but he's not exactly sure what it might be.
Juan is mingling with the guests when Penelope pops up looking for him. She gives a leaf-hat that she made, and asks him to go to a secluded, dark area of the beach, so that they can make out. Juan pretends to agree, then escapes from her clutches to rejoin the crowded beach party.
Hank gets an update about the search from Jenny and Lars, who found nothing in any of the guest rooms. Other than one guest's wooden bible, nothing seemed weird about any of the guests. Hank asks Jenny to talk with Yu, because she's getting agitated. He also assigns Lars guard duty at the bonfire, so that Hank can get away to search the island in a more thorough manner.
At the deejay table, Putman noses around the albums, and finds a mysterious message on one of Coconut Pete's album covers: "Dave, So sorry about your parents. Wish I could've done more. Uncle Pete" Inside the album there's a newspaper clipping about Dave's parents.
So Dave not only works for Coconut Pete, but is also his nephew!
Before we get any in-depth details about this curious development, the movie switches us over to Jenny and Yu. Yu wants to tell the guests about the killer, but Jenny advises her to do as the killer suggested, and act like nothing's wrong. Yu stomps away, and finds 2 stoned guys in the jungle. She asks them to go back to the bonfire, and takes off again.
Yu hears a twig snap behind her, and finds herself facing Machete Phil. She screams and runs the opposite way, getting further away from the bonfire with every step. Yu turns to see if the killer is close, and collides with Hank, who was apparently expecting the killer on that path. Hank holds a large tree branch like a club and taunts the killer. As he's busy yelling at Machete Phil, the killer simply raises his blade and kills Hank in one stroke.
Yu screams again, and runs away. She spots a golf kart nearby, and decides to use it as her getaway vehicle. In one of the film's best sight gags, the kart goes about a mile an hour, allowing the killer to casually stroll next to it. Yu screams, and that's the last we see of her.
Jenny catches a few seconds of herself on the aerobics show, then hears a boat out on the water. She starts to head out to investigate further, but another sound closer to her room convinces Jenny to stay inside and lock her doors.
The next morning, Dave leads a group of guests in what I can only describe as "Craberobics". Jenny tells Sam and Pete about hearing the boat, and they all agree that finding it is a priority. Then Lars arrives to tell them that he knows why the lyrics on the board were so familiar to him....they were from one of Coconut Pete's songs. Uh.....duh? The contest was to identify the Coconut Pete song by knowing the lyric. So what? Oh, okay. The song was called "Naughty Cal", which is similar to what was carved in the chests of the victims.
Okay, so they all decide to find the album and listen to it for clues. The scene is more or less nonsense, but if you pause the screen as they look at the album, you'll laugh your ass off at some of the crazy song titles...my personal favorites were "I'd Tell Ya, But Then I'd Have Tequila", and "High Balls and Low Blows". I'd totally buy this album.
Well, it turns out that the song does seem connected to the murders. One lyric is about a character flying and then crashing, like Carlos. Another lyric seems very specific about Cliff, since it mentions being lost in a maze. In another inspired bit, Dave tries playing the next part backwards, which would be great if the next part wasn't "La la la la la". I'm tellin' ya, this movie's a hoot.
After listening to the song, Pete is told by Juan, "Yu and Hank are dead," which of course sounds like a threat. After a few more misunderstandings, Juan just gives up and tells them to follow him to the latest corpses. Amusingly, the message carved into Hank's chest is DON'T LET THIS BE YU.
To distract the guests, the staff holds a fashion show. As Lars models a poncho for the crowd, Sam and Putman remark that there were no killings until Lars was hired. That gets Jenny mad, and she quickly defends Lars. Of course, as each person steps onto the stage, they all fall under scrutiny.
After the fashion show, it's decided that someone should search for the boats. When it looks like Jenny is a part of the search party, Putman volunteers, but he gets stuck with Lars instead. They head out to explore, as Jenny, Sam and Juan watch. Coconut Pete is briefly shown, teaching his cooking staff how to make coconut paella.
Pete starts getting angry again, asd Jenny and Juan observe him from a distance, only to be interrupted by Penelope. She stuffs a huge portion of calamari into Juan's mouth, and he freaks out because of the octopus reference in the song. When Penelope wanders away, Juan and Jenny decide that there's only 1 way to be sure that she's not the killer: Juan must sleep with her.
Dave, Jenny and Sam are hiding in Juan's closet, ready to jump out if he's in any sort of danger. He looks pretty terrified, as Penelope straddles him. She removes her top and does several somersaults, before landing on top of Juan again. And that's when Penelope reveals the secret she alluded to earlier: she's a world-class gymnast, and she wants to shed her innocent, pristine image, so she can sow some wild oats. Juan and Penelope then proceed to have a sexathon, forcing the trio in the closet to sit through the entire experience. When she goes to the bathroom, Juan even opens the closet door to announce that he's ready for more when she returns.
On the beach, Lars is being given the 3rd degree from a very jealous Putman. Putman frightens him with a large plastic bundle, but it turns out to be a hairnet for Putman's enormous hairdo. Lars breathes a sigh olf relief, and both he and Putman get to sleep. Before Putman falls asleep, though, he examines a news article he found, one that reveals that Lars lost his parents at one of Pete's concerts.
Sam and Dave go through the stuff Lars brought with him, including his swords. They also find a shrine to Coconut Pete that indicates that Lars is obsessed with Pete. Yikes! Is there anyone in this film who isn't crazy?
That's actually a pretty good segue back to the beach. Putman wakes up in the middle of the night and finds both the campfire extinguished and Lars missing. He hears a sword being unsheathed, and sees Machete Phil coming his way. Putman tries to run, but his stupid hairnet gets caught on several plants and trees. The killer catches him, and the mask comes off, revealing Dave as the killer. Then HE gets stabbed from behind by the real killer. The killer removeshis mask, revealing the killer as...Putman? He moves in to kiss...himself, I guess, and it's all revealed as a dream. Lars is trying to wake him up, and a disoriented Putman scurries away into the jungle.
The next morning, Lars brings back one of the missing boats. He shows them the propeller hanging from his neck, and explains that the motor was sabotaged. Sam notes that Lars returned without Putman, and accuses him of being the killer. As Lars continues to deny being the killer, the rest of the employees decide to lock him up.
Jenny finds a group of stoned swimmers in the pool, and decides that it's safe to go for a quick dip. As soon as she dives underwater, a naked dude runs past the pool, [proclaiming free drinks for anyone who catches him. The tipsy swimmers leave the pool, and pursue him.
Jenny surfaces, and gets scared when she finds herself alone in the pool. There's a splash behind her, and Jenny tries to swim to the edge of the pool, but is pulled under the water. After a short struggle, she sees that the other swimmer is the young annoying guy who's been pissing off Putman. As he tries yet again to woo Jenny, a hand grabs him underwater, and yanks him below the surface. It turns out to be a crude joke, but Jenny actually sees the killer behind him, preparing to throw a television into the water. Playing on the screen is an episode of Amy Aerobics.
Jenny gets out of the pool in time, but the young asshole isn't as lucky. He fries like an egg on the sidewalk in August. Sadly, that also knocks out the power around the resort. Jenny sees the killer approaching her again, and starts running.
The good news is that Jenny finds another survivor. The bad news? It's Putman. He creeps out Jenny by asking how badly the kid(whose name, mentioned in this scene, is Dirk) died. Then Sam shows up to break the tension. He leads them to the drunk tank, which is apparently where Lars was confined. When they unlock the door, they find an empty room.
Down the hall, though, a door is rattling. The nervous trio walk toward it, and Juan comes out of hiding to join them. As they reach the door and fling it open, they find Dave on the other side, dancing and weaving a flashlight all over the place.
As they try to figure out where to hide from Lars(even though they still can't be sure that he's the killer), Sam finds a letter stating that Juan has spent time in prison. They gang up on Juan, and he stumbles into a chair that has a cord tied to it. As the cord unravels, the chairs spins wildly, and Coconut Pete's corpse falls into the room, the victim of hanging.
As everyone starts to accuse Juan of the murders, he decides to tell them why he was in prison. He screwed a goat. Yup. Moving on...
Dave is the next guy to be fingered as the killer. His motive? Well, it turns out that Dave's parents were trampled to death at one of Pete's concerts(seen briefly in a newspaper clipping earlier), so maybe he had a grudge. It turns out that everyone already knew about Dave's parents, but not everyone knew that Dave already owned the island. Pete gave it to him because he was going back on tour.
Then Lars appears. When he sees Pete's corpse he starts to cry, and Sam tells him he doesn't buy it. As everyone fights and shouts, Jenny proves to be the voice of reason. She proposes that they gather the guests, wait in one of the main buildings for the rescue ship to arrive in the morning, and leave as a group. That lasts about 1 scene, then they all argue and start to go off in different directions again.
Dave locks himself in the dance area, and proceeds to "get down" with the stereo system. Lars and Jenny head to Lars' room, and find his swords gone. As Jenny complains about the killer always beimng a step ahead of them, Lars shushes her. Annoyed at first, Jenny finally figures out what point Lars was making: if the power went out, how is Dave able to play his music so loud?
They hurry to the club, and Jenny discovers Dave's severed head spinning on the turntable. Lars and Jenny hurry back to her bungalow, and spot the killer heading in their direction. As they try to find a good place to hide, Lars convinces Jenny to hide under the bed. Then he lies down on the floor and begins this goofy chant. As the person outside gets closer, the chant gets faster, until the muscles in Lars' stomach contract, allowing him to get under the bed with Jenny.
Just in time, too...the mystery figure enters the room right after they hide. They watch his feet move around the room, then Lars uses a pair of handcuffs he found under the bed to keep the mystery person attached to the bed. They emerge from under the bed, and find that they've captured Putman. He was stealing a pair of her panties.
Sadly for Putman, the actual killer is outside, and they can't locate the key for the handcuffs. Also, the door can't be locked, because the lock is broken. Putman asks for his racquet and balls, and uses them to hit the killer with as Lars and Jenny make their escape. One tennis ball hits the killer's crotch with a metallic sound, leading them to believe that it is, indeed, Machete Phil. When Putman runs out of projectiles, the killer throws his machete at him, impaling Putman.
Jenny and Lars hide in the bathroom, and listen to Putman's murder. He almost names the killer, but not quite. The killer then enters the bathroom to clean himself up. While Lars uses pantomime to try to give Jenny a plan to fight the killer, a towel covered in blood flies over the shower curtain and smacks him in the face. Jenny gently removes the towel from his face, and Lars requests the soap.
They hurry back to the guest area, where everyone who's left is partying. The killer planned on this, and a quick look around the room reveals most of the corpses have been used to decorate the rafters. The crowd forms a frightened mob, and they all rush outside.
Jenny sees Penelope and asks about Juan, but the other girl has no idea where he could be. Juan appears a moment later, but is covered in blood and gripping a machete. Lars asks him about his appearance and the weapon, but Jenny stops the questioning to point out Sam banging on a window and screaming. As a group, they run over to rescue him.
The small hut Sam was in turns out to be a mud bath area. Worried that the killerv might be hiding in one of the mud beds, Lars plunges his hands into the first one. Nope, it's empty. He puts his hands into the second one, and pulls Sam's lifeless body to the surface. That leaves only one mud bath to search.
Lars gets the machete from Juan, and plunges it swiftly into the mud. As he softly instructs the others to exit the building, Sam's eyes snap open. He leaps out of the mud and attacks Lars, pulling the machete up to the massage expert's throat. He then cackles and brags about how long he can hold his breath.
When asked about his motive, Sam tells them about how, at the start of the film, Rolo wouldn't share his weed. Then he reconsiders, and decides that his real motive was that he was pissed when Pete gave Dave the resort. Before he can say much more, Lars grabs his wrist, sending am into an instant, paralytic orgasm. Then Lars tells them to escape, because he can only keep Sam in that state of mind for so long.
The group manages to escape, and decide to hide in the club, because it's incredibly secure(because it's where the booze is stored....). On their way past screaming guests, a guy grabs Penelope and throws her over his shoulder, then runs away. Also, they see Sam approaching, and he looks pretty pissed off.
After Juan and Jenny lock themselves into the nightclub, Jenny screams. Somehow Sam has trapped Penelope in the fish tank, and she's drowning right in front of them while Sam watches thnem to see what they do. Juan finds a fire axe, and smashes the tank to save Jenny.
Jenny gets Penelope off the wet floor, and urges Juan to hurry as well, before Sam recovers. Sam gets up first, though, and grabs the axe. As he prepares to resume his killing spree, a knife emerges from Sam's chest. It's one of the swords that Lars owns, and he is very much alive. He and the other 3 open the gate, and leave the club.
As they wander past the chaotic partygoers, they see Sam lurching in their direction again. Juan tells the others that he can lose sam in the jungle, so they follow his lead. He leads them to a cliff that faces the ocean, and encourages them all to jump. Also, he advises them to clench their butt cheeks together, because the impact of the water going up their asses can pulverize their intestines.
Penelope dives first, and shows off her skill as a gymnast. Then Juan dives, followed by Jenny and Lars. As they all resurface, Jenny complains about her asshole hurting. Lars tells the others that he saw the second boat on the ocean floor. Juan volunteers to get the engine from that boat, so that they can attach it to the boat Sam didn't sink. While he's doing that, the rest will swim to the intact boat, and keep an eye out for Sam.
Alas, Sam dives into the water behind Juan while he's distracted by his work on the intact propeller. Lars, Jenny and Penelope climb into the boat, and worry when Juan doesn't show up. Juan pops up next to the boat a moment later, holding up the intact propeller. As Lars dives in to attach the new propeller, Juan reveals that Sam gave him a severe wound across his torso. Before he dies, he tells Penelope how much he loves her...and that he'd love to see Jenny and Penelope kiss before he dies.
Seconds after Juan disappears beneath the surface, Sam bursts out of the ocean, and climbs aboard the small boat. He knocks out Jenny and begins to strangle Penelope, only to be nterrupted by Lars. They scuffle, and Sam gets entangled in the rope used to moor the boat to the dock.
Steering the boat around in wide arcs, Lars manages to bind Sam to the dock, pulling the rope ever tighter around his waist. When Sam tries to leap at them, Lars pilots the boat away, cutting Sam in half.Sam's top half sees his bottom half sink into the ocean, and he collapses into the water.
Then, in true slasher movie fashion, Sam's top half leaps into the boat and attacks Penelope. Lars comes to her rescue, swings Sam around several times, then throws him like a frisbee out into the ocean. After Lars and Jenny kiss, they ask Penelope to start driving, and the boat takes off. Behind them, Sam's legs are trying to swim and follow the boat. THE END
I love the Broken Lizard movies, and Club Dread especially. It works well, not just as a stoner comedy, but also as an impressively bloody slasher flick. It gets 4-and-a-half killer trees out of 5. I hope they get another theatrical release someday, considering that their stuff nowadays seems be direct-to-DVD fare.
And what did Club Dread teach me?
-Everything is better with topless chicks.
-Jimmy Buffet has competition.
-I find endless amusement in hearing "Penelope" pronounced "Pee Nah Lope". I'm easily amused...
Next up: Something called Sam's Lake. I hope it's good. TTFN!
The movie takes place in Costa Rica, on the oddly-named Pleasure Island. There's a lot of screaming as the camera gets closer, but it's a couple looking for a secluded make-out spot. Rolo, the male, is busy mocking Putman. one of the resort's employees, while his girlfriend, Stacy, takes off her top. I like this one already...
Rolo shows Stacy a bag of weed(which he calls Costa Rica Freaka), and lights up. As the pair start making out, Stacy sees an ominous figure wandering nearby. Rolo just wants her to twiddle his nipples(I shit you not...), but he agrees to take Stacy to a different area that is even more secluded.
Rolo's more secluded area turns out to be a graveyard. Even Stacy has enough common sense to question the decency of what they're about to do, but her objections are halted by the reappearance of the wandering stalker from before. Before Stacy can stop him, Rolo decides to confront the guy. He grabs a heavy tree branch, walks up to the dark figure, and realizes that it's a tiki statue. Rolo knocks the head off, and is surprised by a tiny primate that leaps up from out of nowhere.
As the monkey wanders away, an attractive blonde pops up to scare the couple next. She's holding a tray of tropical drinks though, so I tend to doubt that she's a killer. The horny trio decide to duck into a mausoleum for their sexcapades. The interior looks lived in, with newspaper clippings, a machete, lanterns....seriously, these 3 are dumber than a sack of doorknobs if they stay. Hilariously, one of the girls finds a well-endowed idol, and tells Rolo that they no longer need him. The girls begin to kiss each other, and the chamber is plunged into complete, utter darkness.
They quickly get the door open, start to remove their clothes, and pleasure one another. The blonde hears the machete sliding over stone and sees a figure moving behind Rolo. As she and Stacy back away, an oblivious Rolo gets his shoulder severed by the sharp blade.
The girls run through the jungle screaming, and split up when there's a fork in the path. The blonde runs until she nearly falls over a cliff. She reaches behind her for a branch or rock to grab onto, and cuts a nasty cut when her fingers clench the killer's machete. She gasps at the pain, then slips over the cliff into the ocean. Hey, maybe she survived....but probably not.
Stacy hears her screams, and finds a footbridge that leads to the resort's pool. She sees a number of guests in the distance and relaxes slightly, giving the killer time to behead her. As her body falls to the ground and convulses, the titles zooms onto her dying torso. Cool.
Then the movie takes us back to, as the screen says, ONE HOUR EARLIER. A ship called Princess Yelapa is pulling up to Pleasure Island. The island and resort are owned by Coconut Pete(played by Bill Paxton), a sort of poor man's version of Jimmy Buffet. His musical claim to fame is a ditty called "Pina Coladaburg".
Anyway, this scene introduces us to our many, many victims. There's Jenny, the cute-as-Hell aerobics instructor; Juan, in charge of watersports(and probably the funniest character in the film; Putman, a prissy British tennis pro; Dave the Deejay(and drug supplier); Sam, the Fun Police; Yu, a pretty Asian employee; Kelly, a somewhat cute waitress; and Lars Brunckhorst, a portly Zen and massage expert who has been trying to tell the others that he's an employee, not a guest. Oh, and Penelope, a guest who Jenny finds wandering around lost in the jungle.
As the guests are enjoying free drinks by the pool, Stacy shows up, only to be murdered. Really? That short introduction and the drinks at the pool were a full 2 hours? Okay movie, if you say so. Anyway, there's a short, funny bit with 2 guys checking out all of the hot chicks by the pool. Through them, we learn that Jenny is a minor celebrity: she stars on an early-morning aerobics show, where an odd series of deaths helped her to get promoted. Hmmmm....
Lars shows up to meet Jenny and Penelope, and we learn just how good a masseuse he really is. He places his hands on their shoulders, and gives both women instant orgasms. Then Sam grabs Jenny for a "human Limbo" stick, and she asks Lars to meet up with her later. As everyone parties the day away, we get a final look at Stacy's corpse, not that far away.
That evening, the resort throws the mother of all parties. Coconut Pete meets Lars, who we discover is pretty obsessed with every aspect of Pete's life. Oh, and we meet yet another character: Hank, who is Pete's bodyguard. While he distracts Lars, Juan ushers Pete away to meet a female fan. After Juan feeds Pete some specific info about a concert she attended, Pete pretends to remember her from said concert. Smooth operator, that Coconut Pete.
Putman tries to woo Jenny, who looks pretty damn bored. Luckily, Putman is cock-blocked by a short, annoying loudmouth, giving Jenny time to slip away unnoticed. Then we get my favorite couple in the movie, Penelope and Juan. Sam hooks them up, and Juan introduces himself as a "dive master". Then he sees her name tag, and decides that it's pronounced "Pee-Nah-Lope". I love this friggin' movie...I don't know why, but I just do. Anyway, she tells him that she attends Oral Roberts, and he mistakes the college for a sexual position, like Dirty Sanchez.
The movie decides to go outside for a bit, where we catch up with a guy named Carlos taking a smoke break. He approaches an activity board, where a contest is prominently on display. The contest asks the guests to guess which Coconut Pete song a series of lyrics are from. The lyrics, which seem extremely ominous, are as follows:
"3 amigos took an undersea trip/And never were seen again"
Weird, huh?
So Carlos reads the board, then hears a strange noise. He chalks it up to monkeys, and does what every 1-scene victim does in every slasher flick--he takes a walk in the dark jungle, instead of staying in a well-lit, occupied, active area. As he crouches down on the ground next to some garbage cans, someone approaches from behind, holding a large butcher knife...
Oh, it's only Yu. She asks him when he's going to wash all of the dirty dishes and utensils, and Carlos promises to get to it all in the morning. Yu leaves, and Carlos starts to follow, but one of the trash bins begins to shake. As Carlos goes back to examine it, the killer looms behind him and kills Carlos off-screen.
Coconut Pete and Lars have both grabbed guitars, and they lead a group of partygoers in a singalong around a campfire. A drunk chick yells out a request for "Margaritaville", and proceeds to get Pete pretty pissed off. Pete tells her that his claim to fame was the song "Pina Coladaburg", but she keeps insisting that he play the Jimmy Buffet song instead. Pete goes off on a rant, claiming that his song was written and released more than 7 years before the other song was even conceived. As he starts swearing and mumbling, Hank shows up to escort Pete back to the resort.
Lars sees Jenny at the bar, and briefly touches her shoulder to get her attention, which causes her jaw muscles to loosen up. She drools her drink all over herself, and Lars apologizes, explaining that he thought she looked "tight". When she responds that she's tight in all the right places, Lars does a spit-take all over himself and her. He mentions her starring role on the aerobics show, and Jenny reveals that the gig will give her the income she needs to quit working at Pleasure Island. She picks up a tray of crab meat appetizers, does a sexy little shimmy, and walks away.
Back to the campfire. Dave has taken it upon himself to tell the guests a scary story about the island's very own urban legend, The Machete Maniac. According to Dave, a guy named Phil worked at the resort 15 years ago. One night, Phil was propositioned by an attractive woman, who asked him to go with her to a quiet, deserted spot on the island. The further away from the resort that they get, the woman asks Phil questions that get progressively stranger: Do you believe in voodoo? Do you believe in zombies?
Phil shrugs off the weird questions, and they start to have sex, but Phil gets a strange vibe. A flash of lightning reveals that Phil has been lured out to an ancient burial ground, that the other resort guests have been watching him, and that he's been having sex with a corpse that was dug up from one of the graves.
Anyway, Phil allegedly walked back to the resort, and made his way to the groundskeerper's shack. Once he was inside, Phil picked up a machete, then went back to find the staff members, and murdered them all. Then the legend states that Phil used the machete to cut off his own penis, before running into the jungle, where he supposedly still lurks. And thus, Machete Phil became a legend.
At the conclusion of the tale, Dave claims that Machete Phil can often be heard searching for his penis.(that part seems kind of stupid, given that he cut it off himself, but I guess I'll just go with it...) When Dave finishes the story, Putman stands up, drops his pants, and reveals that he tucked his penis between his legs, to give the group a quick scare and a cheap laugh. After the group leaves, Dave stands up, revealing that he wanted to be the one with the tucked-in penis.
Later that night, Coconut Pete meets up with the staff. He mentions that Rolo, Stacy and Kelly have vanished, and asks if anyone else can run the next evening's luau-themed party. Dave volunteers to do it, but Pete asks Sam to take care of it instead.
The next day, we get a montage of typical resort activities...cliff diving, tennis lessons, beach aerobics, and some kind of game that involves guys having balloons stuck to their butts, so that their female partners can pop them with their vaginae. Uhhh, wouldn't that be more fun the other way ar....never mind. I'll let that one go, too.
The final activity they show is a drinking game similar to Pac-Man. The players run through a maze, looking for bowls fill with tropical drinks, allowing them to chase bikini-clad women through the maze, and staff members dressed up in giant fruit costumes. The guy playing as Pac-Man grabs one of the girls, then sees Putman dressed as a banana, and tackles him to the ground.
Juan, dressed up as the pretzel is summoned to the maze, but is a no-show. Dave goes investigating, and finds Juan screwing a chick dressed as a watermelon. Dave tells him to get out to the maze, then shuts the door again. Lucky for Dave, a guy in a pear costume(and eating a pear...) shows up, so Dave tells him that he needs to go in the maze next.
The pear, who was on his break, isn't too happy to be in the maze. As he's trudging around, Machete Phil grabs the pineapple costume, and slips it on. The pear has a collision with one of the girls in the maze, then sees Machete Phil watching him. Pear also notices the machete, and realizes that the pineapple isn't an employee.
Pear walks in the other direction, but the killer gets ahead of him. Actually afraid now, Pear starts running through the maze. He comes to a dead end, and Machete Phil throws a pear at him, which Pear was seen eating before he entered the maze. The killer waits for Pear to turn around, then slices a deep gash into his stomach. The camera gives us an overhead view of the maze, which shows that Machete Phil and his victim are one wall away from the players, who remain oblivious to what has just transpired.
Near the beach, Jenny is taking a walk and watching someone who has gone para sailing. She hears something that sounds like a blade being unsheathed, and nearly gets her face sliced off by Lars, who is doing some martial arts exercises with a sword in each hand. They start chatting, only to be interrupted by a girl riding piggyback on a blindfolded guy. Lars briefly touches the nape of the girl's neck, and she passes out. The blindfolded guy is also briefly touched, and wets himself. Alone again, Lars makes Jenny orgasm again my touching her mouth. Then the person para sailing crashes down in front of them.
It turns out that the killer hooked Carlos up to the sail after killing him the previous night, and also carved NAUGHTY CARLOS onto his chest. As they ponder what it means, they watch the boat speed away from the island, unmanned.
Back in the maze, Juan tells Dave that he had never heard of Pac-Man in Nicaragua. Putman, dressed as a banana, interrupts their conversation, and they follow him to Pear's corpse, which is being examined by Fun Policeman Sam. His name turns out to be Cliff, which I deduced after seeing NAUGHTY CLIFF carved into his chest. As they wonder if he's dead, the loudspeaker plays the sound effect for when Pac-Man loses a life.
The employees and Pete have a meeting about the killings...right in front of the not-too-swift guests at the pool. Juan offers up the theory that the killer is Machete Phil, but the others shoot down the idea as ridiculous. Sam rushes over to announce that the killer has struck again....but not in the way you think.
The killer altered Sam's activity board, so that it now keeps track of which people have been murdered. Also, in the box where the "guess the song" contest had been, the killer has left them a message: DO YOUR JOBS AND LIVE. TELL THE GUESTS AND DIE. 'CAUSE EVERYBODY'S LOOKING TO FIND THEIR OWN PARADISE...
Frightened more than ever, they decide to evacuate the resort, and get themselves and the guests back to civilization. It's not as easy as it sounds though: Machete Phil has set the boats loose, stranding everyone at the resort. He also destroyed the phones and radio communication.
Coconut Pete holds another meeting, this time at the indoor bar/nightclub. He tells his staff that they have no choice but to pretend that nothing's wrong in front of the tourists, just as the message on the scoreboard implied. They all demand a better plan of action from Pete, but he defers to his bodyguard, Hank. Hank, it turns out, is actually a retired FBI agent, with a specialty in tracking down serial killers.
At first, no one wants to trust Hank, mostly because he has a history of heavy drinking and seems like a bumbling idiot under pressure. It turns out that it was all an act, meant to put people at ease around him. He tells them to continue acting as normal as possible around the guests, so that he can try to set a trap for the killer. He promises them that his expertise is the best weapon they have at the moment.
Later that night, the staff get several bonfires started on the beach, spelling out SOS. A pinata is also set up, so that Hank can watch how each person attacks the target, and also to see which guests are left-handed, as one of the stab wounds was made with the killer holding his machete in his left hand. As the guests party on the beach, Lars and Jenny search their rooms for any incriminating clues in regards to the identity of the killer. Lars tells Jenny that the lyrics on the activity board reminded him of something, but he's not exactly sure what it might be.
Juan is mingling with the guests when Penelope pops up looking for him. She gives a leaf-hat that she made, and asks him to go to a secluded, dark area of the beach, so that they can make out. Juan pretends to agree, then escapes from her clutches to rejoin the crowded beach party.
Hank gets an update about the search from Jenny and Lars, who found nothing in any of the guest rooms. Other than one guest's wooden bible, nothing seemed weird about any of the guests. Hank asks Jenny to talk with Yu, because she's getting agitated. He also assigns Lars guard duty at the bonfire, so that Hank can get away to search the island in a more thorough manner.
At the deejay table, Putman noses around the albums, and finds a mysterious message on one of Coconut Pete's album covers: "Dave, So sorry about your parents. Wish I could've done more. Uncle Pete" Inside the album there's a newspaper clipping about Dave's parents.
So Dave not only works for Coconut Pete, but is also his nephew!
Before we get any in-depth details about this curious development, the movie switches us over to Jenny and Yu. Yu wants to tell the guests about the killer, but Jenny advises her to do as the killer suggested, and act like nothing's wrong. Yu stomps away, and finds 2 stoned guys in the jungle. She asks them to go back to the bonfire, and takes off again.
Yu hears a twig snap behind her, and finds herself facing Machete Phil. She screams and runs the opposite way, getting further away from the bonfire with every step. Yu turns to see if the killer is close, and collides with Hank, who was apparently expecting the killer on that path. Hank holds a large tree branch like a club and taunts the killer. As he's busy yelling at Machete Phil, the killer simply raises his blade and kills Hank in one stroke.
Yu screams again, and runs away. She spots a golf kart nearby, and decides to use it as her getaway vehicle. In one of the film's best sight gags, the kart goes about a mile an hour, allowing the killer to casually stroll next to it. Yu screams, and that's the last we see of her.
Jenny catches a few seconds of herself on the aerobics show, then hears a boat out on the water. She starts to head out to investigate further, but another sound closer to her room convinces Jenny to stay inside and lock her doors.
The next morning, Dave leads a group of guests in what I can only describe as "Craberobics". Jenny tells Sam and Pete about hearing the boat, and they all agree that finding it is a priority. Then Lars arrives to tell them that he knows why the lyrics on the board were so familiar to him....they were from one of Coconut Pete's songs. Uh.....duh? The contest was to identify the Coconut Pete song by knowing the lyric. So what? Oh, okay. The song was called "Naughty Cal", which is similar to what was carved in the chests of the victims.
Okay, so they all decide to find the album and listen to it for clues. The scene is more or less nonsense, but if you pause the screen as they look at the album, you'll laugh your ass off at some of the crazy song titles...my personal favorites were "I'd Tell Ya, But Then I'd Have Tequila", and "High Balls and Low Blows". I'd totally buy this album.
Well, it turns out that the song does seem connected to the murders. One lyric is about a character flying and then crashing, like Carlos. Another lyric seems very specific about Cliff, since it mentions being lost in a maze. In another inspired bit, Dave tries playing the next part backwards, which would be great if the next part wasn't "La la la la la". I'm tellin' ya, this movie's a hoot.
After listening to the song, Pete is told by Juan, "Yu and Hank are dead," which of course sounds like a threat. After a few more misunderstandings, Juan just gives up and tells them to follow him to the latest corpses. Amusingly, the message carved into Hank's chest is DON'T LET THIS BE YU.
To distract the guests, the staff holds a fashion show. As Lars models a poncho for the crowd, Sam and Putman remark that there were no killings until Lars was hired. That gets Jenny mad, and she quickly defends Lars. Of course, as each person steps onto the stage, they all fall under scrutiny.
After the fashion show, it's decided that someone should search for the boats. When it looks like Jenny is a part of the search party, Putman volunteers, but he gets stuck with Lars instead. They head out to explore, as Jenny, Sam and Juan watch. Coconut Pete is briefly shown, teaching his cooking staff how to make coconut paella.
Pete starts getting angry again, asd Jenny and Juan observe him from a distance, only to be interrupted by Penelope. She stuffs a huge portion of calamari into Juan's mouth, and he freaks out because of the octopus reference in the song. When Penelope wanders away, Juan and Jenny decide that there's only 1 way to be sure that she's not the killer: Juan must sleep with her.
Dave, Jenny and Sam are hiding in Juan's closet, ready to jump out if he's in any sort of danger. He looks pretty terrified, as Penelope straddles him. She removes her top and does several somersaults, before landing on top of Juan again. And that's when Penelope reveals the secret she alluded to earlier: she's a world-class gymnast, and she wants to shed her innocent, pristine image, so she can sow some wild oats. Juan and Penelope then proceed to have a sexathon, forcing the trio in the closet to sit through the entire experience. When she goes to the bathroom, Juan even opens the closet door to announce that he's ready for more when she returns.
On the beach, Lars is being given the 3rd degree from a very jealous Putman. Putman frightens him with a large plastic bundle, but it turns out to be a hairnet for Putman's enormous hairdo. Lars breathes a sigh olf relief, and both he and Putman get to sleep. Before Putman falls asleep, though, he examines a news article he found, one that reveals that Lars lost his parents at one of Pete's concerts.
Sam and Dave go through the stuff Lars brought with him, including his swords. They also find a shrine to Coconut Pete that indicates that Lars is obsessed with Pete. Yikes! Is there anyone in this film who isn't crazy?
That's actually a pretty good segue back to the beach. Putman wakes up in the middle of the night and finds both the campfire extinguished and Lars missing. He hears a sword being unsheathed, and sees Machete Phil coming his way. Putman tries to run, but his stupid hairnet gets caught on several plants and trees. The killer catches him, and the mask comes off, revealing Dave as the killer. Then HE gets stabbed from behind by the real killer. The killer removeshis mask, revealing the killer as...Putman? He moves in to kiss...himself, I guess, and it's all revealed as a dream. Lars is trying to wake him up, and a disoriented Putman scurries away into the jungle.
The next morning, Lars brings back one of the missing boats. He shows them the propeller hanging from his neck, and explains that the motor was sabotaged. Sam notes that Lars returned without Putman, and accuses him of being the killer. As Lars continues to deny being the killer, the rest of the employees decide to lock him up.
Jenny finds a group of stoned swimmers in the pool, and decides that it's safe to go for a quick dip. As soon as she dives underwater, a naked dude runs past the pool, [proclaiming free drinks for anyone who catches him. The tipsy swimmers leave the pool, and pursue him.
Jenny surfaces, and gets scared when she finds herself alone in the pool. There's a splash behind her, and Jenny tries to swim to the edge of the pool, but is pulled under the water. After a short struggle, she sees that the other swimmer is the young annoying guy who's been pissing off Putman. As he tries yet again to woo Jenny, a hand grabs him underwater, and yanks him below the surface. It turns out to be a crude joke, but Jenny actually sees the killer behind him, preparing to throw a television into the water. Playing on the screen is an episode of Amy Aerobics.
Jenny gets out of the pool in time, but the young asshole isn't as lucky. He fries like an egg on the sidewalk in August. Sadly, that also knocks out the power around the resort. Jenny sees the killer approaching her again, and starts running.
The good news is that Jenny finds another survivor. The bad news? It's Putman. He creeps out Jenny by asking how badly the kid(whose name, mentioned in this scene, is Dirk) died. Then Sam shows up to break the tension. He leads them to the drunk tank, which is apparently where Lars was confined. When they unlock the door, they find an empty room.
Down the hall, though, a door is rattling. The nervous trio walk toward it, and Juan comes out of hiding to join them. As they reach the door and fling it open, they find Dave on the other side, dancing and weaving a flashlight all over the place.
As they try to figure out where to hide from Lars(even though they still can't be sure that he's the killer), Sam finds a letter stating that Juan has spent time in prison. They gang up on Juan, and he stumbles into a chair that has a cord tied to it. As the cord unravels, the chairs spins wildly, and Coconut Pete's corpse falls into the room, the victim of hanging.
As everyone starts to accuse Juan of the murders, he decides to tell them why he was in prison. He screwed a goat. Yup. Moving on...
Dave is the next guy to be fingered as the killer. His motive? Well, it turns out that Dave's parents were trampled to death at one of Pete's concerts(seen briefly in a newspaper clipping earlier), so maybe he had a grudge. It turns out that everyone already knew about Dave's parents, but not everyone knew that Dave already owned the island. Pete gave it to him because he was going back on tour.
Then Lars appears. When he sees Pete's corpse he starts to cry, and Sam tells him he doesn't buy it. As everyone fights and shouts, Jenny proves to be the voice of reason. She proposes that they gather the guests, wait in one of the main buildings for the rescue ship to arrive in the morning, and leave as a group. That lasts about 1 scene, then they all argue and start to go off in different directions again.
Dave locks himself in the dance area, and proceeds to "get down" with the stereo system. Lars and Jenny head to Lars' room, and find his swords gone. As Jenny complains about the killer always beimng a step ahead of them, Lars shushes her. Annoyed at first, Jenny finally figures out what point Lars was making: if the power went out, how is Dave able to play his music so loud?
They hurry to the club, and Jenny discovers Dave's severed head spinning on the turntable. Lars and Jenny hurry back to her bungalow, and spot the killer heading in their direction. As they try to find a good place to hide, Lars convinces Jenny to hide under the bed. Then he lies down on the floor and begins this goofy chant. As the person outside gets closer, the chant gets faster, until the muscles in Lars' stomach contract, allowing him to get under the bed with Jenny.
Just in time, too...the mystery figure enters the room right after they hide. They watch his feet move around the room, then Lars uses a pair of handcuffs he found under the bed to keep the mystery person attached to the bed. They emerge from under the bed, and find that they've captured Putman. He was stealing a pair of her panties.
Sadly for Putman, the actual killer is outside, and they can't locate the key for the handcuffs. Also, the door can't be locked, because the lock is broken. Putman asks for his racquet and balls, and uses them to hit the killer with as Lars and Jenny make their escape. One tennis ball hits the killer's crotch with a metallic sound, leading them to believe that it is, indeed, Machete Phil. When Putman runs out of projectiles, the killer throws his machete at him, impaling Putman.
Jenny and Lars hide in the bathroom, and listen to Putman's murder. He almost names the killer, but not quite. The killer then enters the bathroom to clean himself up. While Lars uses pantomime to try to give Jenny a plan to fight the killer, a towel covered in blood flies over the shower curtain and smacks him in the face. Jenny gently removes the towel from his face, and Lars requests the soap.
They hurry back to the guest area, where everyone who's left is partying. The killer planned on this, and a quick look around the room reveals most of the corpses have been used to decorate the rafters. The crowd forms a frightened mob, and they all rush outside.
Jenny sees Penelope and asks about Juan, but the other girl has no idea where he could be. Juan appears a moment later, but is covered in blood and gripping a machete. Lars asks him about his appearance and the weapon, but Jenny stops the questioning to point out Sam banging on a window and screaming. As a group, they run over to rescue him.
The small hut Sam was in turns out to be a mud bath area. Worried that the killerv might be hiding in one of the mud beds, Lars plunges his hands into the first one. Nope, it's empty. He puts his hands into the second one, and pulls Sam's lifeless body to the surface. That leaves only one mud bath to search.
Lars gets the machete from Juan, and plunges it swiftly into the mud. As he softly instructs the others to exit the building, Sam's eyes snap open. He leaps out of the mud and attacks Lars, pulling the machete up to the massage expert's throat. He then cackles and brags about how long he can hold his breath.
When asked about his motive, Sam tells them about how, at the start of the film, Rolo wouldn't share his weed. Then he reconsiders, and decides that his real motive was that he was pissed when Pete gave Dave the resort. Before he can say much more, Lars grabs his wrist, sending am into an instant, paralytic orgasm. Then Lars tells them to escape, because he can only keep Sam in that state of mind for so long.
The group manages to escape, and decide to hide in the club, because it's incredibly secure(because it's where the booze is stored....). On their way past screaming guests, a guy grabs Penelope and throws her over his shoulder, then runs away. Also, they see Sam approaching, and he looks pretty pissed off.
After Juan and Jenny lock themselves into the nightclub, Jenny screams. Somehow Sam has trapped Penelope in the fish tank, and she's drowning right in front of them while Sam watches thnem to see what they do. Juan finds a fire axe, and smashes the tank to save Jenny.
Jenny gets Penelope off the wet floor, and urges Juan to hurry as well, before Sam recovers. Sam gets up first, though, and grabs the axe. As he prepares to resume his killing spree, a knife emerges from Sam's chest. It's one of the swords that Lars owns, and he is very much alive. He and the other 3 open the gate, and leave the club.
As they wander past the chaotic partygoers, they see Sam lurching in their direction again. Juan tells the others that he can lose sam in the jungle, so they follow his lead. He leads them to a cliff that faces the ocean, and encourages them all to jump. Also, he advises them to clench their butt cheeks together, because the impact of the water going up their asses can pulverize their intestines.
Penelope dives first, and shows off her skill as a gymnast. Then Juan dives, followed by Jenny and Lars. As they all resurface, Jenny complains about her asshole hurting. Lars tells the others that he saw the second boat on the ocean floor. Juan volunteers to get the engine from that boat, so that they can attach it to the boat Sam didn't sink. While he's doing that, the rest will swim to the intact boat, and keep an eye out for Sam.
Alas, Sam dives into the water behind Juan while he's distracted by his work on the intact propeller. Lars, Jenny and Penelope climb into the boat, and worry when Juan doesn't show up. Juan pops up next to the boat a moment later, holding up the intact propeller. As Lars dives in to attach the new propeller, Juan reveals that Sam gave him a severe wound across his torso. Before he dies, he tells Penelope how much he loves her...and that he'd love to see Jenny and Penelope kiss before he dies.
Seconds after Juan disappears beneath the surface, Sam bursts out of the ocean, and climbs aboard the small boat. He knocks out Jenny and begins to strangle Penelope, only to be nterrupted by Lars. They scuffle, and Sam gets entangled in the rope used to moor the boat to the dock.
Steering the boat around in wide arcs, Lars manages to bind Sam to the dock, pulling the rope ever tighter around his waist. When Sam tries to leap at them, Lars pilots the boat away, cutting Sam in half.Sam's top half sees his bottom half sink into the ocean, and he collapses into the water.
Then, in true slasher movie fashion, Sam's top half leaps into the boat and attacks Penelope. Lars comes to her rescue, swings Sam around several times, then throws him like a frisbee out into the ocean. After Lars and Jenny kiss, they ask Penelope to start driving, and the boat takes off. Behind them, Sam's legs are trying to swim and follow the boat. THE END
I love the Broken Lizard movies, and Club Dread especially. It works well, not just as a stoner comedy, but also as an impressively bloody slasher flick. It gets 4-and-a-half killer trees out of 5. I hope they get another theatrical release someday, considering that their stuff nowadays seems be direct-to-DVD fare.
And what did Club Dread teach me?
-Everything is better with topless chicks.
-Jimmy Buffet has competition.
-I find endless amusement in hearing "Penelope" pronounced "Pee Nah Lope". I'm easily amused...
Next up: Something called Sam's Lake. I hope it's good. TTFN!
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